Native American Day in Wyoming: Celebrating Nellie Scott

In 2004, the Wyoming State Legislature enacted House Bill HB0094, establishing the second Friday of May as Native American Day. This day is observed by public schools, state and local governments, and other organizations throughout Wyoming. This year, the American Heritage Center is honoring Nellie (Nell) F. Scott, the first woman to serve on the Arapaho Tribal Business Council.

Nell Scott, 1975. Box 1, Loretta Fowler papers, Coll. No. 11403. American Heritage Center, University of Wyoming.

Nell Scott joined the Tribal Business Council in 1935, becoming its first female member. She served for thirty-seven years, becoming president of the council by 1940.

During her presidency, Nell was instrumental in several important political dialogues. In May 1941, she traveled with the Arapaho and Shoshone Tribal Business Councils to Washington D.C. to participate in discussions with the Bureau of Indian Affairs. These discussions focused on issues such as, the Land Use Program, Grazing Permits, and a proposed division of the Wind River Reservation. The council planned their visit from April 30, for approximately a week to ten days, aiming to resolve various issues and to be heard on the reservation division proposal. During these conferences, Nell advocated for the Arapahos’ desire to establish a separate agency should the reservation be divided.

Nell’s advocacy in Washington continued beyond this trip. On March 15, 1947, she participated in hearings before the Subcommittee on Indian Affairs of the Committee on Public Lands. She testified regarding a bill to authorize the segregation and expenditure of trust funds jointly held by the Shoshone and Arapaho Tribes.

In her testimony, she highlighted the dire need for funds among the Arapaho, stating that the tribe’s population of 1,395 members faced severe hardships due to lack of funds, leading to starvation. She poignantly remarked:

We wonder who is starving the Indians. It is the Indian Office, or the Government itself that is starving the American Indian.

Nell also highlighted the irony faced by returning tribal soldiers who fought for freedom and democracy in World War II, only to find their families suffering at home. She strongly advocated for the immediate release of funds owed to the Arapaho to alleviate these dire conditions on the reservation.

Nell Scott (center) in at the U.S. Capitol, ca. 1955. She is shown with Wyoming’s U.S. Representative Keith Thomson. Identify not known of women on the right. Box 1, Loretta Fowler papers, Coll. No. 11403, American Heritage Center, University of Wyoming.

For 37 years, Nell was a fierce advocate for her tribe, taking multiple trips from Wyoming to Washington, DC, to lobby for legislation benefiting the Arapaho Tribe and addressing the challenging living conditions on the reservation. She also pushed for the separation of the Wind River Reservation between the Shoshone and Arapaho tribes, especially regarding federal funding.

The photo below, taken in 1935, commemorates Nell becoming the first woman to serve on the Tribal Business Council. She continued to serve the tribe in various capacities, including as president of the council, until her retirement in 1972.

Under pressure from the Indian Bureau, both tribes formed representative, elected business councils to conduct day-to-day operations and act as a link between federal policymakers and Indian people. Final sovereignty rested then and still remains, however, with the general councils—decision-making bodies of all tribal members—of both tribes. Here, the two councils, Arapaho in the back row, Shoshone in front, in the late 1930s. Nell Scott is first on the left in the back row. Charles Washakie is second from left in the front row. Box 3, Loretta Fowler papers, Coll. No. 11403, American Heritage Center, University of Wyoming. (Caption courtesy of WyoHistory.org)

Post contributed by Processing Archivist Brittany Heye.

Resources consulted:

“The Proposed Division of the Wind River Reservation,” Montana State University library, Collection #2204.

United States Congress, House Committee on Interior and Insular Affairs. Trust Funds, Shoshone, and Arapaho Indian Tribes: Hearings Before the Subcommittee on Indian Affairs of the Committee on Public Lands, House of Representatives, Eightieth Congress, First Session, on H.R. 1098, a Bill to Authorize the Segregation and Expenditure of Trust Funds Held in Joint Ownership by the Shoshone and Arapaho Tribes of the Wind River Reservation. 1947. U.S. Government Printing Office.

Posted in Advocacy and Activism, Arapaho, Tribal Leadership, Uncategorized, Wyoming history | Tagged , , , , , , , , | Leave a comment

Studying Stan – The Creation of Stan Lee: Beyond the Book

Hazel Homer-Wambeam (front), Rhiannon McLean (center), and Liam Leslie (behind) snap a selfie in the American Heritage Center stacks during their summer curation for Stan Lee: Beyond the Book. Photo by Hazel Homer-Wambeam, 2023.

In June 2023, a team of three University of Wyoming student interns began researching the papers of Stan Lee, which are housed at the American Heritage Center (AHC). Their interns’ intention was to create an exciting and informative exhibit about the iconic comic book visionary. In addition to attending college full-time, devoting time to extra-curricular activities, and trying to carve out personal time, the three students, Hazel Homer-Wambeam, Liam Leslie, and myself, Rhiannon McLean, are about to see the fruition of our hard work. After almost a year of research and planning, the exhibit, Stan Lee: Beyond the Book, will open on May 1, 2024, at the AHC. This blog summarizes the process that has led up to this moment.

Avengers Assemble

Assembly of the curation team began in the Spring of 2023 when AHC Director Dr. Paul Flesher emailed Hazel to pick her brain about the collection. Hazel had already worked with the Stan Lee Papers for a project she completed for National History Day in 2015. “Back in high school, I participated for seven years in the National History Day (NHD) program. One of my projects was a documentary on Stan Lee, and I utilized the American Heritage Center’s Stan Lee Papers for the bulk of the research,” said Hazel. “As a 13-year-old NHD student, I took advantage of the AHC’s relationship with Stan Lee to set up a ten-minute phone interview with him, which I included in the documentary.” Dr. Flesher did not just want to pick her brain; he wanted her to take on the role as Lead Intern for the Stan Lee exhibit curatorial team. This project, she says, is a “full circle moment” for her.

At that time, I had just lost my bid for President of the Associated Students of the University of Wyoming, an organization I had been a part of for three years. Although I had won my senate race, losing the presidential race meant that I did not have summer employment. To announce my loss to family and friends, I jokingly posted on social media that I was “looking for a summer job”. Hazel, who I had met through ASUW when she was Chief of Staff in 2021, messaged me privately to ask if I knew anything about Stan Lee. A lifelong comic collector, I jumped at the chance to apply. Fortunately, despite Hazel and Dr. Flesher’s shock at my love for DC Comics over Marvel, I was offered a position on the team.

Liam was at an Honors College event seated next to Hazel when he learned of the project. “Given the legacy of Stan Lee, my curiosity was immediately piqued. At that point, the projected responsibilities of the interns were still relatively vague, but I knew that it was an endeavor that I wanted to be a part of,” Liam said of his interest in the project. He applied for the project while on study abroad in Japan, and even interviewed from Tokyo. “My desire to be a part of the project increased during my time there as I came across many Marvel stores and witnessed people from all over the world wearing apparel depicting Stan Lee’s most famous characters.”

In addition to the three student interns, Robert Kelly and Patty Kessler were brought on to supervise the curation process. Robert, currently a staff member in the AHC’s Reference Dept., had previously used Stan Lee’s papers to research the 1960s Batman television series. His familiarity with the collection as well as AHC procedures made him well-suited to guide us. Patty, a retired History and American Studies professor and now an AHC Archives Aide, brought a wealth of knowledge and experience to the team. Her recent curation of a part of the AHC’s The Art of the Railroad exhibit demonstrated her ability to effectively organize and present historical materials. With the team put together, the time came to venture into the hundreds of boxes of material.

Exploring Excelsior

In June 2023, the curation process officially began with all three interns diving into the collection boxes. Initially, we had little idea of what direction we were headed. Dr. Flesher’s vision at that time was to develop a team of researchers that would explore the collection in depth, and through that process, find major points of interest to turn into an exhibit. In the early days of curation, finding material was difficult – not because it was not plentiful and interesting, but because it was all extremely interesting. Every signature, drawing and first draft was jaw dropping, but we were tasked with narrowing that material down into sections.

We chose to approach the material topically rather than linearly. The timeline of Stan Lee’s life is easy and has been done before. Lee’s career spanned from the 1930s to the 2010s, meaning that it would have potentially been a messy viewing experience. In order to get a closer look at Stan Lee as a creative, businessman and individual, we divided our research into categories, with each intern curating a third of the final product.

We developed a system where the interns would take several boxes and note what was in each. If those boxes had material primarily pertaining to another intern’s area of interest, we would let them know and we would change course. In doing that, we were able to narrow things down to eight distinct parts.

I am a political science major, so my interest quickly turned to Stan Lee’s political cartoons and relationships with politicians. I also became fascinated with the donor files, which outlined the AHC’s relationship with Lee through their correspondence. This became the subject of the opening of the exhibit and my first blog post.

Hazel, on the other hand, became interested in the globalization of comic books and the thousands of pages of fan mail that Stan Lee kept. Marvel’s comics were sold all over the world, and fans would write to him to share the impact the comics had on their lives. Lee also received fan mail from celebrities such as Paul McCartney and Gene Simmons, which are featured in the exhibit. Hazel described what she discovered in another AHC blog post.

Liam, an education major and student teacher, excavated the papers for material about Stan Lee’s love of education and literacy. As detailed in Liam’s blog post, Lee toured the country speaking at K-12 schools, colleges, and universities to promote comic books as a tool for literacy. Liam also took on Lee’s business practices. The collection features multiple boxes focused solely on Marvel’s growth and business dealings, including the creation of Marvel Film Productions. In addition, this material included Lee’s activities after he left Marvel, at which time he went on to create POW! Entertainment and Stan Lee Media.

Given the specific nature of our sections and the massive amount of material, some things did not make it into the main exhibit but were too interesting to cut entirely. The exhibit will feature additional information showcased in the section, “Marvelous Misfits,” also curated by the interns. These objects did not fit into the eight distinct segments we picked for the main exhibit but were still fascinating and warranted their own spot. Marvelous Misfits features six objects and stories from the Stan Lee Papers, including Stan Lee’s relationships with artist Jack Kirby and male magazine publisher Hugh Hefner. These will be located inside the AHC’s Loggia, separate from the rest of the exhibit, and we hope that they encourage the public to dive into the archive themselves.

The curation and design stages were the longest phase of the process. In August 2023, to ignite our imaginations, we traveled to Tulsa, Oklahoma, to visit the Bob Dylan Center and the Woodie Guthrie Center. Here we were able to ask questions of and collaborate with the curators of these two institutions about their approach to planning, developing, and implementing an exhibit based on the life of a creative and entertainer. This experience was integral to the final installation of Stan Lee: Beyond the Book, and a great bonding experience for our team.

Rhiannon, Liam and Hazel at the Woody Guthrie Center in Tulsa learning about the center’s curation methods. Photo by Matthew Troyanek, 2023.
Students Liam (left), Rhiannon (center left), and Hazel (center right) with supervisor Robert Kelly (right) in front of the Woody Guthrie Center’s mural of his famous “This Machine Kills Fascists” guitar. Photo by Matthew Troyanek, 2023.

After the material was chosen, scanned, and organized, the AHC’s photography lab supervisor Theoren Sheppard helped us design the exhibit and begin the mounting process. I personally really enjoyed the curation portion but really struggled with the design and mounting phase of the exhibit. Hazel’s mastery with graphic design and Theoren’s expertise in exhibit creation was integral to this process.

Rhiannon (left) and Hazel (right) shown in April 2024 opening the banners used in Stan Lee: Beyond the Book.

Beyond the Book

So, finally, after almost a year of research and curation, our team is ready to show the world our exhibit. We could not have accomplished this, however, without the assistance of the American Heritage Center Staff, including but not limited to those named in this blog, and the University of Wyoming community. Additionally, we want to thank Kartoon Studios for the material that they are sending to be featured in the loggia during the exhibit’s run.

Stan Lee: Beyond the Book opens May 1, 2024, in the American Heritage Center Loggia and will run through the fall of 2024.

‘Nuff Said

Post contributed by AHC Intern Rhiannon McLean.

Posted in American Heritage Center, behind the scenes, Comic book history, Current events, Entertainment history, exhibits, Uncategorized | Tagged , , , , , , , , , , , , , , , | Leave a comment

Wyoming Rails: The Untold Tales of Union Pacific Employees

The Union Pacific Railroad has been a driving force in connecting America over the decades. But behind the iconic engines and rail lines crisscrossing the Cowboy State are the hardworking people who brought the railroad to life. Now, the American Heritage Center is hitting the tracks to document their unsung stories.

Through the “Life Between the Rails” project, the AHC is collecting oral histories from Union Pacific employees who worked in Wyoming – especially women and minority groups whose voices have often gone unheard. If you spent your career on the rails, whether working the trades, driving locomotives across the vast landscapes, or rising through management, we want to hear from you.

Union Pacific steam locomotive #844, a 4-8-4 class locomotive, in Laramie, Wyoming. The image shows the tender and a brakeman, according to notes from the Union Pacific Historical Society. Box 252, Union Pacific Historical Society Collection, Coll. No. 10713, American Heritage Center, University of Wyoming.

In addition to one-on-one interviews, the project will also hold roundtable discussions in cities along the Union Pacific corridor in southern Wyoming, including Cheyenne, Laramie, Rawlins, Rock Springs, Green River, and Evanston. These guided discussions with groups of longtime UP employees, retired or not, will help identify potential interviewees and interviewers. The discussions will also provide an opportunity to learn about participants’ experiences in an informal setting. Food and drink will be provided to participants at each of the discussion sites.

Maybe you were the first woman maintaining signaling equipment in the 1970s. Or a minority engineer who broke through racial barriers. Perhaps you lived through major milestones like railroad deregulation or big mergers. Whatever your Wyoming-based story, the AHC wants to document the challenges you overcame and the inspiring ways you adapted to changes in the industry over time.

Shirley Tunge, a hostler at Union Pacific’s Bailey Yard in North Platte, Nebraska, ca. 1980. As a hostler, Tunge’s job was to move locomotives in and out of service facilities. Box 266, Union Pacific Historical Society Collection, Coll. No. 10713, American Heritage Center, University of Wyoming.

But this project isn’t just about personal narratives. It aims to create a comprehensive, on-the-ground record of how Union Pacific continually transformed – through innovations, environmental pressures, competition, and more. Your firsthand accounts will paint a vivid picture of this iconic company’s evolution for future generations.

Through 2024, the AHC will diligently record up to 50 interviews, including the roundtable discussions. These oral histories will be carefully preserved, giving researchers and rail fans access to an invaluable piece of American industrial heritage for years to come.

If you’ve got Union Pacific stories rooted in Wyoming to share, the AHC wants to hear them. Reach out today to Project Assistant Tana Libolt at ahcrails@uwyo.edu or 307-766-5575 and ensure the incredible journeys that kept the railways running don’t get left behind.

Posted in American history, Labor History, oral histories, Railroad History, Wyoming history | Tagged , , , , , , | Leave a comment

Designing the University of Wyoming: Merica Hall

Welcome back to our series exploring the University of Wyoming’s building history. In these posts, we’re digging into the narratives behind UW’s most iconic structures.

When UW opened for classes on September 12, 1887, no campus housing was available. Students secured room and board with local residents.

These young woman at UW circa 1890 had to arrange housing within the community since no on-campus housing existed at that time. Photo File: Colleges and Universities – University of Wyoming – Class Pictures, American Heritage Center, University of Wyoming.

For more than a decade, the trustees attempted to secure funding for campus housing. Finally, in the fall of 1906, plans for a new women’s dormitory began to take shape.

University President Frederick Tisdel met with members of the Wyoming State Federation of Women’s Clubs on October 13 to discuss the Federation’s support for the completion of a dormitory that could accommodate up to 25 students. State funds along with financial support from the Federation allowed the project to move forward.

On June 5, 1905, Cheyenne architect, William Dubois, presented a building proposal to the trustees. Plans were approved in December to construct a slightly smaller dormitory to fit within the budget, with an additional wing to be added later. The building contract was awarded to C.R. Inman, of Cheyenne, on February 8, 1908, to construct a red brick dormitory.

Construction of Women’s Hall, later Merica Hall, in 1908. Note workers on top level in scaffolding. Box 33, Item 50, B. C. Buffum papers, Coll. No. 400055, University of Wyoming, American Heritage Center.
Children play on the UW campus as Women’s Hall nears completion in 1908. Box 84, Samuel H. Knight papers, Coll. No. 400044, American Heritage Center, University of Wyoming.

Women’s Hall, as it was originally known, was not completed when students arrived for school on September 22. Temporary housing arrangements were made until the new dormitory opened on October 15. The first dorm’s director was Minna Stoner, who also was appointed as the UW’s first Dean of Women.

Image above is the newly completed Women’s Hall with some of its first occupants. The image below is a close up of this excited group of young students. Box 85, Samuel H. Knight papers, Coll. No. 400044, Box 85, American Heritage Center, University of Wyoming.

The planned additional wing was completed in the fall of 1909. The dorm included a section for the Home Economics Division, including a kitchen and dining hall and large classroom, which also was used for art and sewing classes.

Box 3, Samuel H. Knight papers, Coll. No. 400044, American Heritage Center, University of Wyoming.

The trustees approved the change of the building’s name from Women’s Hall to Merica Hall at its August 7, 1922, meeting. The name was an ode to Charles Merica, UW’s President from 1908 to 1912. Perhaps it was a reward for his past frustrations. Although an ambitious builder, Merica’s plans for other structures were consistently thwarted by the Wyoming Legislature.

Charles Merica at work at his desk while UW President. Box 2, James D. LeCron papers, Coll. No. 1976, University of Wyoming, American Heritage Center.

In 1925, an initiative was launched to transform a large classroom into a formal gathering space. By the fall of 1926, the conversion was complete, and the room was dedicated in tribute to Nellie Tayloe Ross, who had the distinction of being both Wyoming’s governor and the first woman elected as a governor in the U.S. The dedication ceremony took place on May 11, 1927, with Ross, by then the former governor, in attendance. This venue quickly became a popular location for parties and festive events.

‘Parting is such sweet sorrow.’ A young couple on the steps of Merica Hall in 1931. Ludwig & Svenson Studio Photographs, Coll. No. 167, American Heritage Center, University of Wyoming.

Near to Merica Hall to the northwest, there was a small pond affectionately known as the “Peanut Pond” by the campus community across generations. It served as the battleground for the annual tug-of-war between freshmen and sophomores, a cherished tradition. According to the Branding Iron student newspaper, it also played host to fly casting contests that continued into the late 1940s. Soon after, the pond was drained, probably due to the mosquito problem it was said to have created.

Tug-of-war at the Peanut Pond in 1927 as part of a University of Wyoming Arbor Day program. Ludwig & Svenson Studio Photographs, Coll. No. 167, American Heritage Center, University of Wyoming.

When additional housing was added, Merica Hall was slowly converted for academic and office purposes. The School of Pharmacy occupied the basement in 1948. As the College of Pharmacy expanded to occupy most of the building, the trustees, on January 14, 1955, approved the name change to Merica Pharmacy Building. After a new Pharmacy Building opened in 1969, Merica Hall began housing numerous academic offices and campus services.

Merica Hall circled in yellow on this aerial photo of the UW campus in the 1970s. And the campus has only grown since then. But Merica Hall retains its charm amidst the more modern structures. Photo File: University of Wyoming – Aerial Views, American Heritage Center, University of Wyoming.

 

Merica Hall, 2022. Photo by Theoren Sheppard, AHC Photography Lab Supervisor.

As we continue our journey through the architectural past of the University of Wyoming, our next stop describes the fascinating story behind Hoyt Hall.

In the meantime, explore the AHC’s virtual exhibition titled “Keeping History Alive: 136 Years of Progress.” This display intertwines historical images of the UW campus with contemporary photographs from 2022, revealing the evolution as well as enduring elements of the campus over time.

Posted in architectural history, Architecture, Campus Heritage, Historic Buildings, Laramie, Student Life, Uncategorized, University of Wyoming history, Wyoming history | Tagged , , , , , , , , , , | 1 Comment

Titans of Terror: Godzilla and King Kong as Pop Culture Icons

As the film Godzilla x Kong: The New Empire opens, we consider the history and legacy of the two most famous giant monsters in film history. Both monsters are represented in posters and stills from the collection of Forrest J. Ackerman, the founding editor of the magazine “Famous Monsters of Filmland.” 

Godzilla first appeared in the Japanese film Godzilla, directed and co-written by Ishirō Honda, which was released in Japan in 1956 and in America two years later in a re-edited version featuring Raymond Burr and titled Godzilla, King of the Monsters!

Poster from Godzilla, King of the Monsters! (1956). Box 115, Forrest J. Ackerman papers, Collection No. 2358, American Heritage Center, University of Wyoming.

Released in Japan less than a decade after the bombings of Hiroshima and Nagasaki, Godzilla has been called “an unflinchingly bleak, deceptively powerful film about coping with and taking responsibility for incomprehensible, manmade tragedy. Specifically, nuclear tragedies.

As film critic J. Hoberman has noted, the incident that opens the original film and leads to the discovery of the ancient sea creature – the destruction of a Japanese freighter – parallels the contamination from nuclear fallout of the crew of a Japanese fishing boat by an American thermonuclear test at Bikini Atoll. Godzilla has gone on to appear in more than thirty films over the last seventy years, including Godzilla vs. the Thing (1964) (aka “Mothra vs. Godzilla”) and Godzilla vs. the Smog Monster (1971) (aka “Godzilla vs. Hedorah”).  

 

King Kong, the creation of American filmmaker Merian C. Cooper and British writer Edgar Wallace, first appeared in the 1933 film King Kong, in which the monster famously co-starred with Fay Wray and the Empire State Building. In that film, an American film crew arrives at Skull Island, where Kong lives, and takes him, in chains, to New York City to exhibit him as the “eighth wonder of the world.” The original film is now recognized as an unsettling racial allegory. 

As one scholar has argued, “King Kong serves as the sublime object not only of fear and terror but also of the disenfranchised black, exotic other who must be put back into his place so as not to be a threat to the status quo.”1

According to another scholar, when Kong is captured, enslaved, and exhibited, he “bears a striking similarity to the undressed slave on the auction-block showcased for fetishistic, visual dissection.”2

In the film clip below from Quentin Tarantino’s 2009 film Inglourious Basterds, a Nazi (!) describes the parallels between “the Negro in America” and Kong. 

King Kong has gone on to appear in multiple sequels, remakes, and reboots, including Son of Kong (1933), a sequel to the original film, King Kong Escapes (1967), and King Kong, a 1976 remake starring Jeff Bridges, Jessica Lange, and Charles Grodin. And Godzilla and Kong first appeared together in the 1963 Japanese film King Kong vs. Godzilla which was directed by Ishirō Honda, the director of the first Godzilla film.

One final note: Perhaps the most unusual item involving one of these giant monsters is not in the Forrest J. Ackerman collection, but in the papers of writer Jerry Sohl. Sohl, who wrote for such television series as The Twilight Zone, Alfred Hitchcock Presents, The Outer Limits, and the original Star Trek series, wrote a seventeen-page treatment (never produced) set near the end of World War II and titled “Godzilla vs. Frankenstein”!

Post contributed by AHC Archivist Roger Simon (our resident film expert).

1 Valerie Frazier, “King Kong’s Reign Continues: ‘King Kong’ as a Sign of Shifting Racial Politics,” CLA Journal, vol. 51, no. 2, 2007, pp. 186–205.

2 Robin Means Coleman, Horror Noire: Blacks in American Horror Films from the 1890s to Present, (Routledge, 2011), p. 43.

Posted in Film History, Pop Culture, science fiction, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , | Leave a comment

Gale Cleven and George Niethammer: The Wyoming Connection in “Masters of the Air”

If you are interested in the history of the Second World War, or interested in aviation, you may have been watching Masters of the Air, a new television series on Apple TV+.

A companion to Band of Brothers and The Pacific, Masters of the Air focuses on the 100th Bomb Group (the “Bloody Hundredth”) of the Eighth Air Force during the daylight strategic bombing campaign during WWII. If you are like me, you may have also been surprised to hear Austin Butler’s character, Gale Cleven, introduce himself as being from Casper, Wyoming, during the first episode.

Even more surprising, in a later episode of the show, a second character from Wyoming is also introduced, George Niethammer, played by Josh Dylan. Upon further research, both men were students at the University of Wyoming, and were even college friends before the war. In this post, we’ll take a closer look at these two men and their connection with Wyoming and the University of Wyoming (UW).

Gale Cleven was born on December 27, 1918, in Lemmon, South Dakota. As a child, he and his family moved to Wyoming for his father’s work in the oil fields. Cleven attended Midwest School for high school. After graduation, Cleven began attending UW around 1937, first appearing in the 1940/1941 Wyo yearbook as a junior, studying mathematics.[1] In the summers, Cleven worked as a roughneck in the oil fields around Casper to pay for school.

Gale Cleven in 1940/41 Wyo yearbook, pg. 38.

Cleven seems to have been quite active in student life, appearing multiple times in the Branding Iron student newspaper, attending social events such as dances and in the Wyo as an interfraternity council member for Phi Theta Delta. Cleven appears to have had an early interest in military service; he is reported in The Sheridan Press of December 4, 1938, as being a first alternate choice for one of Wyoming’s appointment slots for the service academies.

Branding Iron, January 18, 1940.
Gale Cleven (shown to the right) on the Interfraternity Council. 1940/41 Wyo, pg. 162.

Cleven enlisted in the Army in 1940 and proceeded to train as a flying cadet.

George Niethammer[2] was born September 12, 1919, in Red Lodge, Montana. He graduated Natrona County High School in 1937 and attended UW afterwards. Like Cleven, Niethammer was active on campus and was also frequently mentioned in the school newspaper. He was elected president of the freshman class in 1937 and was involved in a committee to investigate a subpar whitewashing of W Hill.[3] He ran track and won low hurdles at a meet against Denver in April 1939.[4]

In October of that year, the Branding Iron reports that another student had been elected to class president, as Niethammer was not returning to school that semester. His draft registration card dated October 1940 listed him as living in Casper and being employed at the Casper Packing Company, a meatpacking plant his family owned. He was a member of the Wyoming National Guard before the war, and after activation for wartime service at some point transferred to the Army Air Corps for training as a bomber pilot.

Branding Iron, May 12, 1938.
Branding Iron, April 27, 1939.

Flying B-17 or B-24 heavy bombers, the crews of the US Army Air Forces flew missions over German-occupied Europe to bomb strategic targets such as submarine bases, industrial factories, railroad yards, etc. with the goal of disrupting the German economy and war machine to hasten the end of the war. While the British RAF flew at night to bomb targets, the USAAF flew during the day, suffering heavy casualties from anti-aircraft artillery and German fighter attacks.

Both Cleven and Niethammer flew combat missions as pilots in their units, Cleven as a B-17 pilot, and Niethammer as a B-24 pilot. Niethammer was mentioned again and quoted in the Branding Iron of May 4, 1944, recounting in a letter home being shot down and having to ditch in the Adriatic Sea and being rescued.

Cleven and his crew were shot down October 8, 1943, and became prisoners of war. Niethammer and his crew were shot down in May 1944, and crash-landed in Germany, also becoming prisoners of war. The two friends were reunited when they were interned together in Stalag Luft III in modern day Poland, a German prisoner of war camp for downed allied airmen.[5] As the Soviet army advanced westward, the Germans force marched prisoners west to be interned in different camps. During one such march, Cleven and Niethammer escaped. During the escape bid, Cleven and Niethammer were separated.

Cleven successfully made it to Allied lines, not knowing what had happened to Niethammer. He was repatriated to England to continue service. After the war, he resumed his studies at UW, graduating in 1946 and returning in 1956 to acquire a master’s degree. He remained in the Air Force throughout the Korean and Vietnam wars, before retiring from the service and holding a range of other jobs, including in aeronautics and as the president of Webber College in Florida. He died November 17, 2006, in Sheridan, Wyoming.

Tragically, Niethammer was shot and killed during his escape attempt. His remains were located in 1949.[6] Niethammer is buried at the Ardennes American Cemetery in Liège, Belgium.[7]

Gale Cleven was a pallbearer at his memorial service in Casper.

George Niethammer
Gale Cleven

Post contributed by Marcus Holscher, Toppan Rare Book Library, American Heritage Center.


[1] The 1940/41 Wyo yearbook was the first produced after a hiatus of several years due the Great Depression.

[2] George Niethammer’s name is spelled varyingly “Niethammer” and “Neithammer” in newspaper publications, the former is used on his draft card and used throughout this post.

[3] Branding Iron, Volume 43, Number 3, October 7, 1937.

[4] Branding Iron, Volume 14, Number 26, April 27, 1939.

[5] The same camp made famous by the British “Great Escape” of May 1944.

[6] The Casper Tribune Herald, October 11, 1949.

[7] George F. Niethammer | American Battle Monuments Commission. (n.d.). https://www.abmc.gov/decedent-search/niethammer%3Dgeorge (accessed March 29, 2024).


Sources Used:

Ancestry.com. U.S., School Yearbooks, 1900-2016 [online database]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2010.

Ancestry.com. U.S., World War II Draft Cards Young Men, 1940-1947 [database on-line]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2011.

Memorial page for Col Gale Winston “Buck” Cleven (27 Dec 1918–17 Nov 2006), Find a Grave, database and images, Find a Grave Memorial ID 18089976, citing Santa Fe National Cemetery, Santa Fe, Santa Fe County, New Mexico, USA; Maintained by Paula and Dale (contributor 46489742). (accessed March 29, 2024.

American Battle Monuments Commission website.

Miller, Donald. Masters of the Air. New York: Simon and Schuster, 2006.

WYO Yearbook, 1940/41.

Wyoming Digital Newspaper Collection.

Posted in Actors, Adaptations, American history, aviation, Biography and profiles, military history, Uncategorized, University of Wyoming history, World War II, Wyoming history | Tagged , , , , , , , , , , | 1 Comment

A Friendship in the Books

For dearest Olga—who knows, loves and writes books—from a kindred soul with love and admiration. Ishbel Ross.

Christmas 1964, inscription in An American Family: The Tafts, 1678 to 1964.

For Olga Arnold—dear and understanding friend. Devotedly, Ishbel Ross.

Christmas 1967, inscription in Taste of America: An Illustrated History of the Evolution of Architecture, Furnishings, Fashions, and Customs of the American People.

For dear Olga—I hope you will find this fun reading, if nothing more. Devotedly, Ishbel.

May 1969, inscription in Sons of Adam, Daughters of Eve.

For Olga Arnold—who may or may not like women doctors—but, anyway, Elizabeth was different! Ishbel Ross. October 11, 1949.

inscription in Child of Destiny: The Life Story of the First Woman Doctor.                             

These inscriptions are just several examples of the notes that author Ishbel Ross addressed to Olga Moore Arnold in books given to Arnold throughout their long friendship. The inscriptions hint at the friendship between the two women and also their relationship and respect for each other as authors as well.

The careers of these two women mirrored each other as both started as newspaper women. Both women knew from a young age that writing was important and something they aspired to spend time on during their career.

Olga Moore Arnold, writing as Olga Moore, published interviews, short stories, and essays featured on women’s pages in newspapers around the country and Ishbel Ross spent over a decade covering crime and trials in The New York Herald Tribune.

Olga Moore’s image as seen in a 1921 University of Wyoming yearbook.

Both women turned from the newspaper to writing books with Ross gaining acclaim for her biographies of women including first ladies Julia Dent, Nellie Taft, and Mary Todd Lincoln, Clara Barton, Rose O’Neal Greenhow, and numerous women journalists. Arnold’s career shifted towards lobbying, but she continued to write pieces related to her work, but also published several books including her autobiography, I’ll Meet You in the Lobby and a novel titled Windswept.

Despite working in the same professional circles, it does not appear that Arnold and Ross met until during World War II. By the 1940s, Ishbel Ross had lived in New York City for many years, having moved to New York City in 1919 from her home in Scotland (with a brief time in Canada). She married journalist Bruce Rae in 1922 and continued working as a reporter until the early 1930s when she quit to raise their daughter.

Olga Moore Arnold’s journey to New York City took longer. She was born near Buffalo, Wyoming, and attended the University of Wyoming where she was the editor of the university’s newspaper, The Branding Iron, and advocated for a new library at the university. For Arnold, the writing and activism went hand in hand, and she later realized that “all roads led to lobbying” and championing various political causes. Olga Moore Arnold was married to UW Law professor Carl Arnold. In addition to Wyoming, they also lived in Washington, D.C. and after his death, Olga lived in D.C., New York City, Wyoming, and Europe and also traveled through the United States.

On St. Patrick’s Day in March 1943, Olga Moore Arnold began a new position in New York City as a features writer for the Office of War Information. As detailed in her autobiography, recently widowed Arnold left her lobbying position to take the OWI position. She spent time writing about each of her new coworkers in the office providing detailed descriptions of each’s personality.  She described Ishbel Ross in her autobiography.

We had Ishbel Ross, the pride of the division, blond, dimpled, and Edwardian, with a creamy Scotch complexion and violet eyes. She looked like a lace-edged Valentine and talked like a stiff snort of Scotch. She was a canny realist and a hard worker, her typewriter hummed smoothly all day long, its rhythm broken only at four in the afternoon by Ishbel’s need for a cup of tea.

Moore, I’ll Meet You in the Lobby, 164.

The women did not work together very long, but it appears to be the start of a friendship that continued through the 1970s, likely until the death of Ishbel Ross in 1975.

Ishbel Ross’s author photo from her book, Child of Destiny: The LIfe Story of The First Woman Doctor. From the Barrat Family Collection in the Toppan Rare Book Library.

An October 31, 1937, article in the Casper Star-Tribune calls Olga Moore Arnold “one of the most eminent writers Wyoming ever has produced and numbered among the most popular fictionists of the day” but neither Arnold or Ross has biographies or longer studies of their work.

Both women used their work to highlight the importance of women, and copies of their publications are still available. Despite writing biographies (and in many cases the first biography) of several prominent women, contemporary sources only occasionally cite Ishbel Ross. Her seminal 1936 work, Ladies of the Press is still pointed to as a significant work on women journalists.

While the American Heritage Center only has the inscribed books from Ross in Arnold’s book collection, the mentions of Ross in Arnold’s autobiography help fill in the gaps of their friendship, especially in how they met and worked together. Another interesting link regarding Ishbel Ross and the AHC is found in the Grace Robinson book collection (the AHC also holds the papers of Robinson). According to a note from Grace Robinson in a copy of Ishbel Ross’s publication, First Lady of the South, Robinson and Ross were long-time friends and colleagues.

The book collection of Olga Moore Arnold, who passed away in 1981, is part of the Barratt family sub-collection in the Toppan Rare Book Library at the AHC. This collection was donated by the family in 2022.

Over the last year, my staff and I have prioritized collecting, cataloging, and publicizing the works by and collected by women. While we have always collected women’s book collections, there is still a great deal of work to be done talking about the works and lives of lesser-known women authors.

Post contributed by Dr. Mary Beth Brown, Toppan Rare Book Library Curator.

Posted in Authors and literature, Biography and profiles, Book Category, Journalism, Uncategorized, Women in History, Women Writers, women's history | Tagged , , , , , , , , | 3 Comments

Stan Lee and the Comic Book Boom

Beginning the late 1960’s, Stan Lee and Marvel Comics started to reach beyond the audience of just the United States and into global popular culture. Marvel’s characters and stories possessed universal themes and relatable qualities that touched readers from all walks of life, the presence of characters from diverse backgrounds, cultures, and religions resonating with international fans.

Lee quickly recognized the desire for an international market and began to engage in extensive distribution efforts, including publishing comic books in multiple languages. These translations allowed non-English speakers to enjoy Marvel stories in their native language which resulted in more accessibility and inclusivity, transcending cultural boundaries.

Marvel Comic Book Stan Lee special, published in France, 2000. Stan Lee Papers, American Heritage Center, University of Wyoming.

Like many booming franchises, Marvel received mountains of fan mail throughout the 20th century, a large amount of which was addressed personally to Stan Lee. Readers of all ages, all genders, and from all corners of the world would write to Lee with their own ideas for new superheroes and fresh stories. Lee encouraged this interaction by personally responding to as many letters as possible, offering both praise and constructive criticism.

The Stan Lee papers at the American Heritage Center contain boxes upon boxes of fan mail sent to Lee between the 1960s and the 2000s, along with many of his personal responses to his fans. While much of this mail is from the United States, many of the letters come from fans living in all corners of the globe, from France, to Norway, to Israel, to Japan, to Germany, to Australia, to Holland.

Fan mail sent to Stan Lee, ca. 1980. Stan Lee Papers, American Heritage Center, University of Wyoming.

Once Stan Lee became a national and international household name, Lee began to receive correspondence from celebrities, politicians, and other comic creators. Some of these letters include mail from Marvel fan and actor David Hasselhoff, letters from politicians such as the Clintons and Al Gore, and invitations to Danny DeVito’s holiday parties.

Other notable names who corresponded with Lee include Jimmy Kimmel, James Stewert, Spike Lee, Lou Ferrigno, Jon Peters, Sidney Poitier, and Hugh Hefner. In 1982, Gene Simmons, the lead singer of the hard rock band KISS, wrote to Stan Lee asking if he could play The Thing in a future Fantastic Four film. Unfortunately for Gene Simmons, since writing this letter, he has not had the opportunity to play any Marvel hero on the big screen let alone The Thing.

I have been a fan from the beginning, and still am.” – Gene Simmons

Correspondence from musician Gene Simmons to Stan Lee, 1982. Stan Lee Papers, American Heritage Center, University of Wyoming.

Because of the escalating enthusiasm among fans to participate in the Marvel brand, Stan Lee saw a market for the creation of a larger fan community. Through the formation of the Merry Marvel Marching Society (M.M.M.S.), Lee was able to develop a more devoted fan base who would purchase not only comic books but also apparel, figurines, and other merchandise to feel connected to the Marvel fandom. Lee offered fans the opportunity to participate in contests, sharing their artwork and stories through a more controlled outlet than only fan mail.

Over the next forty years, the M.M.M.S. transformed itself into a variety of other Marvel sponsored fan clubs including Marvelmania International, Friends of Ol’ Marvel (FOOM), and Marvel Age. Fan clubs not associated with Marvel found their way into the comic book community as well, one of the most significant being San Diego Comic-Con. Today, comic cons are major events for the comic book, video game, and fandom community, attracting attendees from around the world.

Friends of Ol’ Marvel (FOOM) Magazine cover issue #17, 1977. Stan Lee Papers, American Heritage Center, University of Wyoming.

The introductions of the internet, social media, and streaming services have all played integral roles in the Marvel comic book boom. Today, the Marvel Cinematic Universe (MCU) has been a key driver in the continuation of globalizing the Marvel brand through blockbuster films, introducing a whole new generation of fans to Stan Lee’s stories.

To learn more about Stan Lee and Marvel Comics through highlights from the collection, visit the upcoming American Heritage Center exhibit Stan Lee: Beyond the Book opening May 1, 2024 in the AHC’s Loggia and Gallery. The exhibit runs through November 1, 2024.

Post contributed by AHC Intern Hazel Homer-Wambeam.

Posted in Comic book history, exhibits, Fan Culture, Marvel Comics, Uncategorized | Tagged , , , , , , , , , , , , , | Leave a comment

Remembering Antoine Predock: A Visionary Architect and His Legacy

Antoine Predock, the visionary architect behind the University of Wyoming’s Centennial Complex, passed away on March 2, 2024, at the age of 87. The iconic structure, designed to house the American Heritage Center and the Art Museum, was composed of two distinct forms: an ovoid cone clad in black copper and lower, flat-roofed, cubic elements made of earth-toned concrete blocks. When the design was unveiled, it provoked controversy, but Predock’s scheme was eventually approved.

Predock conceived the design as an “archival mountain” situated within the larger geography of the plains, creating an “analogous landscape.” He positioned the building in relationship to distant mountain peaks and emphasized these features through carefully-placed windows. Predock’s award-winning design is evident in every line and curve of the Complex, a space that encourages exploration and contemplation, translating the natural world into concrete and glass.

Antoine Predock, left, discussing the schematics of the Centennial Complex using a scaled, dissected model, 1989. Image from the American Heritage Center Photo Files.

The building’s interior features a striking five-story, top-lit vertical space with a monumental timber structure and a rotunda space with a cosmological feature – a silver dollar embedded in the floor, illuminated by a shaft of sunlight on the Summer Solstice. Historians and critics have described the American Heritage Center as a “primitivist metaphor” and “oneiric,” seamlessly merging with the Wyoming landscape.

Early sketch of a Centennial Complex interior. This is “forest area” (now called the “Loggia”) in the American Heritage Center section of the building. Image from the American Heritage Center Photo Files.

Predock’s relationship with the University of Wyoming faced challenges, including a legal dispute over design aspects of the building. However, these moments, though difficult, do not diminish the brilliance of Predock’s contribution to our university’s landscape.

The Centennial Complex was featured in an issue of Architecture magazine in December 1993.

As we reflect on his legacy, we choose to focus on the countless ways in which Antoine Predock enriched our world with his bold and thoughtful designs. His work will continue to inspire students, visitors, and future architects for generations to come.

We extend our deepest condolences to his family, friends, and all those touched by his remarkable life and career. Antoine Predock’s architectural vision is a lasting element of the University of Wyoming’s identity, and his work at the Centennial Complex will continue to be valued and remembered.

Antoine Predock, 2005. Image accessed via Wikipedia.
Posted in American Heritage Center, Architecture, Centennial Complex, Uncategorized, University of Wyoming | Tagged , , , , | 1 Comment

Truth to Power: US Senator McGee’s Fight Echoed in “Oppenheimer”

Senator Gale McGee of Wyoming was an important figure in the groundswell of political change occurring in his time. Notably, as one of the rare Democrats in the state’s predominantly political sphere, he brought his extensive knowledge of history to bear on the policies he helped to shape.

Before becoming a senator, McGee taught American history at the University of Wyoming from 1946 until mid-1957. It was during this period that he decided to transition into politics, successfully campaigning and securing a seat in the United States Senate. His experience as a professor and his interest in history perhaps made him more idealistic than many who seek public office and he became known as an insightful and powerful orator.

After leaving UW for the Senate, he maintained contact with his university colleagues; in fact, fellow history professor T.A. “Al” Larson remained a close friend and was part of McGee’s “kitchen cabinet” throughout his political career. He ran for Senate on a platform of “new ideas” and as a senator he continued to express his willingness to embrace change and seek new solutions many times in his speeches and interviews. His extensive knowledge of history very much informed his political life and he also looked forward to the future with hope and expectation.

Gale McGee at the 1964 NY World’s Fair watching a transmission from his son Robert on the Picture Phone in the Bell System Exhibit. Image ah09800_003587, Gale McGee papers, Coll. No. 9800, American Heritage Center, University of Wyoming.
McGee inspecting a replica of the communications satellite, Telstar 1, which was launched in 1962. Image ah09800_000381, Gale W. McGee Papers, Coll. No. 9800, American Heritage Center, University of Wyoming.

McGee’s perspectives are described in his own voice, in the following audio clips. The audio is sourced from digital recordings made from reel-to-reel tapes from his papers, now housed at the American Heritage Center. These materials were generously donated by his family. The full audio files are available for all to listen to in the AHC Digital Archives.

During a speech given to Marine Corps Command and Staff College (CSC) students in 1965, Senator McGee spoke about what motivated him to seek public office. He discussed the shift in perspective he experienced when he transitioned from his UW professorship to his Senate seat: “In the classroom, I had a lot more solutions to the problems of the world than I have in the Senate…The pressure of the responsibility for doing something about it causes you to take a second look at a lot of your crackpot ideas…If you really could impose that idea, would you still believe in it?” Further discussion of this as well as the freedom he felt as a freshman senator to explore new ideas is heard in this clip.

During a question and answer session after this speech, McGee expressed his belief in the dynamism of ideas. In this clip he stresses that “there’s nothing more powerful than ideas and books; they’re more powerful than bayonets,” as he explains his views on exercising wisdom and restraint in foreign policy.

There are many moments in McGee’s speeches and interviews that demonstrate his integrity, his commitment to his own convictions, and his determination to continue serving the public despite the frequent difficulties of public life. An illustration of this can be heard during his 1965 speech at the CSC. In the following audio clip, he is asked about the “vituperative quality of American political campaigns.” He replies in a humorous and also philosophical manner on how he viewed the negative and even threatening criticism directed at him in the course of his service in the Senate. McGee also expresses his concerns that vicious verbal attacks on political figures had the effect of “understandably frightening good people from even offering themselves as a candidate.”

The entire speech, including Q&A with the CSC students can be found in these clips.

Group portrait of five members of the “Class of 58,” a group of 15 newly elected democratic senators, whose election created the largest swing from one party to the other in the history of the US Senate. Gale McGee is pictured back left. In the front row, left to right are Senators Ed Muskie (ME), Gene McCarthy (MN), Phil Hart (MI), and Ted Moss (UT). Image ah09800_003611, Gale McGee papers, Coll. No. 9800, American Heritage Center, University of Wyoming.

A frequent theme appearing in McGee’s writings and speeches was corruption in government and he often spoke out against cronyism, misdirection, and the withholding of information from the public by elected and appointed officials.

In an interview on the radio program, C&O News Summary, broadcast on June 10, 1959, McGee gives his views on government concealment and corruption. He and host Tristram Coffin discuss the (then recent) confirmation hearings in the Senate regarding the appointment of Lewis Strauss to the post of Secretary of Commerce in President Eisenhower’s Cabinet. These senate confirmation hearings are depicted in scenes from the recent film Oppenheimer and the character of Senator McGee is prominent in them. As newly appointed head of the Interstate and Foreign Commerce Committee, the Wyoming senator played a central role in the proceedings and was a large part of the effort to block Strauss’ appointment.

In this clip from the interview, McGee accuses Strauss of behaving dishonestly during his Senate confirmation hearings and describes what he calls the “evasion of the point” in government generally. He believes it was exemplified in Strauss’s behavior during the hearings.

The five Atomic Energy Commissioners at Los Alamos in 1947: (left to right) Robert F. Bacher, David E. Lilienthal, Sumner Pike, William W. Waymack and Lewis L. Strauss. Source: Los Alamos National Laboratory via Wikipedia.

Here McGee notes difficulties the committee faced when trying to pin down Strauss’ position on the extent of the dangers of radioactive fallout from the development of atomic power.

Senator McGee goes on to further condemn Strauss’ vindictive conduct and attitude, which he felt could be a serious impediment to the “free interchange of ideas.” McGee also mentions instances of Strauss engaging in “cronyism” and explains that, at the outset of the hearings, he knew of no reason why Strauss’ appointment should not be confirmed. However, he developed doubts based on Strauss’ own behavior as the hearings progressed.

For those interested in delving deeper into this intriguing chapter of history, McGee’s research notes on the Strauss hearings are available in Boxes 986 and 999 of his papers. Boxes 1000 and 1001 hold transcripts of the hearings and McGee’s statements. These documents provide an invaluable resource for anyone seeking a comprehensive understanding of the events and the senator’s perspective.

From left to right Senators Joseph O’Mahoney (D-Wyo), Clinton Anderson (D-N.M.), Wayne Morse (D-Ore) and Gale McGee (D-Wyo) share a celebratory handshake at the Ohio Clock outside the US Senate Chamber after leading the effort to defeat the nomination of Lewis Strauss to be US Secretary of Commerce. Image ah09800_003608, Gale McGee papers, Coll. No. 9800, American Heritage Center, University of Wyoming.

McGee’s contributions as a senator and ambassador were notable. He was “a major player in the development of America’s post–World War II foreign policy and almost every legislative milestone in U.S. history from the 1950s to 1980,” as described by the University of Nebraska Press, publisher of an excellent biography of McGee, The Man in the Arena, by Rodger McDaniel.

In his dedication speech for the Abraham Lincoln Memorial Monument, McGee reveals some of the passion driving his own accomplishments as he points to the example of Lincoln’s extraordinary leadership. In his speech McGee expounds on one of his favorite themes: Allowing knowledge of the past to be a guide to new ideas and solutions rather than a cement that adheres us to modes of thought that no longer serve. The former professor elsewhere stated that his primary goal in the classroom was to teach students “how to think, not what to think.” Senator Gale McGee, in his life and throughout several careers, followed Lincoln’s advice, which he quotes in this audio clip, “…We must think anew and act anew.”

McGee in 1959, speaking at the dedication of the Abraham Lincoln Memorial Monument east of Laramie, Wyoming. Image ah09800_003610, Gale McGee papers, Coll. No. 9800, American Heritage Center, University of Wyoming.

The full speech can be listened to here:

The Gale McGee papers, housed at the American Heritage Center, are a valuable resource for researchers interested in the dynamic period of American history in which McGee played a significant role. As a US Senator from 1959 to 1977, McGee was involved in shaping key policies and legislation during the Cold War era, the Civil Rights Movement, and the Vietnam War.

The collection, generously donated by McGee’s family, includes his research notes, speech transcripts, correspondence, photographs, and audio recordings that provide a unique perspective on these pivotal events and the political landscape of the time. For scholars and students investigating 20th century American history, particularly the 1960s and 1970s, the McGee papers offer a wealth of primary source materials to explore and analyze.

Post contributed by AHC Digitization Technician Tana Libolt.

Posted in American history, Biography and profiles, Entertainment history, Film History, Hollywood history, Motion picture actors and actresses, Political controversy, Political history, Uncategorized | Tagged , , , , , , , , , , , , | Leave a comment