Long before modern blockbusters filled theater screens with explosive sound and color, silent films captivated audiences through pure visual storytelling. This lost art form, which flourished from 1894-1929, experienced a revival when The Artist won major awards in 2011 for its faithful recreation of silent cinema’s magic. The American Heritage Center preserves important records from this foundational period in film history, including the Al Christie papers.
In the United States, the major center for film-making was in the New York-New Jersey area, until Nestor Film Company sent Al Christie to Hollywood to open a West Coast studio in 1911. Christie later started his own production company, Christie Film Company, which specialized in comedy.
Silent film acting was a different art form. Silent films contained no audible dialog, and the music was normally provided by an organist or pianist in the theater where the film was shown. Silent film actors learned to convey emotions with facial expressions rather than with broad stage gestures. The film acting style was considered more naturalistic than theater acting.
When advances in technology allowed for sound, silent films fell rapidly out of favor. Yet two decades of work had produced many films that deserve not to be forgotten. The Christie studio had produced hundreds of comedy “shorts” (about 20 minutes) and some full length features. Among the latter was The Nervous Wreck (1926), a comedy about a hypochondriac who learns to take action and win the girl in the Arizona desert. The process involves holding up a car full of tourists with a monkey wrench.
The Al Christie papers at the American Heritage Center contain many scripts, synopses, and outlines for silent films. Not all of these films have survived. The production files from the Christie studio offer insight into what it took to make and market silent films. To see examples of these production materials, including publicity stills from The Nervous Wreck, visit our Virmuze exhibit “Collection Spotlight: The Al Christie Papers.”
I’m working with Stephen J. Wolff on a project to research the old FAA – CAA Facilities across Southern Wyomng. –Kermit B. Karns
Anything in the Al Christie Papers collection about the Christie Studios’ involvement in 1931 with radio station KMCS in Los Angeles? The M-C-S reportedly stood for Metropolitan Christie Studios. Did the studio use KMCS to promote the studio’s movies?
Jim Hilliker
Los Angeles radio historian
Jim, we’ll have one of our archivists get in touch with you shortly! Thanks for visiting our blog!
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I am wanting to know if the Al Christie papers have anything in the collection concerning any documents concerning the Al Christie fil Cold Feet which was filmed in 1922. Specifically, any documents, letters or photos about the production of the film and about the stars.
Thanks for the question. You can contact the American Heritage Center’s Reference Department at ahcref@uwyo.edu or 307-766-3756 and they will be happy to assist you.