Eve Farson – Better Than Any Man

Eve Farson was a woman with an indomitable spirit. She defied expectations and embarked on adventures that rivaled those of any man.

The niece of Bram Stoker (author of the gothic horror novel, Dracula), Eve was born Enid Eveleen Stoker in 1893. During World War I she enlisted as a voluntary aid nurse in a British Field Hospital in St. Petersburg, Russia. She met Negley Farson in a London hospital, where he was recuperating from a wartime airplane crash. They married in England on September 22, 1920.

Passport photo of Eve Farson, September 22, 1920. Box 7, Negley Farson papers, Collection No. 7651, American Heritage Center, University of Wyoming.

Eve and Negley set sail from England immediately after their wedding. Negley was out of work but had the promise of employment in South America. On their voyage, they learned his job had fallen through, so when they disembarked in New York City, Negley intended to find a job. Negley wrote about Eve, “She had married me with the full knowledge that I did not have one penny in the world. That did not worry her in the least. And it was an unbelievably strengthening feeling to know that you were married to someone who would take any and all sorts of chances with you.” Unfortunately, a job for Negley in New York failed to quickly materialize. Before long they made the decision to move to Chicago where Negley found work as a salesman.

Eve and Negley Farson after their wedding, September 22, 1920. Box 9, Negley Farson papers, Collection No. 7651, American Heritage Center, University of Wyoming.

Soon thereafter, the couple moved to British Colombia, Canada. They spent two years living on Cowichan Lake. Their home was a rustic floating cabin where they lived on fish Negley caught and ducks, geese, and other wildlife that he hunted. Negley made planter boxes, which Eve planted with sweet peas and nasturtiums. They loved the solitude and independence.

Negley had an insatiable curiosity and sense of wanderlust. He was fortunate to have found in Eve an able partner in adventure. They set off together in a twenty-six-foot yawl on a 3,600-mile trip across Europe, from the North Sea to the Black Sea. Negley reported on their trip in a series of articles for a Chicago newspaper and a book titled Sailing Across Europe (1926). Quarters were tight on the boat, but Eve, who Negley referred to as “the crew,” seemed unfazed by the prospect of living in such a confined space for nearly a year.

Eve Farson during her cross European sailing trip with her husband Negley. Box 7, Negley Farson papers, Collection No. 7651, American Heritage Center, University of Wyoming.
Drawing of the accommodation plan on the Flame, the Farson’s 26-foot yawl on which they lived for nearly a year while voyaging across Europe. Box 1, Negley Farson papers, Collection No. 7651, American Heritage Center, University of Wyoming.

Several years after their voyage across Europe, Eve and Negley’s son Daniel was born. The relationship between Eve and Negley grew strained. Negley took on first one mistress and then another. His drinking became a problem. But despite that, Eve and Negley continued with their travel adventures together.

While much of what we know about Eve comes from the books Negley wrote, four of Eve’s manuscripts are preserved in the Negley Farson papers. Titled “Down the Congo River,” “Lake Islands in Africa,” “A Postage Stamp Country,” and “With the Peres Blancs in Ruanda Irudi,” they give some of Eve’s perspective on the couple’s travels across Africa. The manuscripts, likely written in 1939, paint a colorful picture.

Most of their trip was made in a Ford V8, which, according to Eve, was “packed to bursting with all our luggage for eight months and complete camp kit as well, including food.” Finding a supply of fuel for the car was an ever-present problem. Even more difficult to find than petrol were spare springs for the car. Three times during their cross Africa trip road conditions were so extreme that the springs broke.

In remote African villages, Eve and Negley often spent the night in a traveler’s “Rest House.” Describing one such accommodation, Eve wrote, “Generally there is no door to lock, and in most they consist of roughly built huts with thatched roofs and embarrassingly low walls, about three feet high, on which most of the inhabitants of the village lean for greater comfort as they watch you.”

About another “Rest House” she penned, “In Nando the Rest House was the most primitive we had met yet…After seeing a snake whip across the floor I felt none too happy, even in this verandah, which had sagging and rotten matting for a ceiling, in which horrid movements could be discerned. A mosquito net is certainly better protection than nothing, but it seems sadly inadequate when it is all that stands between you and a possible cobra dropping from above.”

Map of Africa showing the route traveled by Negley and Eve Farson, taken from Negley Farson’s book Behind God’s Back. Box 2, Negley Farson papers, Collection No. 7651, American Heritage Center, University of Wyoming.

Eve’s musings about the African people she met reflected the era. She was horrified by the many cases of leprosy and elephantiasis that afflicted the local population. She admired the stately Watusi people in Ruanda Irudi (present day Rwanda), noting that “six foot five was common and seven foot by no means rare.” She and Negley visited a Catholic mission where they “deeply admired both (the French missionaries) and the civilization they had brought into that far place.”

She was amused by the puzzlement their trip generated in Africans. Eve wrote, “It is almost unheard of for white people to travel in Africa without a Boy (an African servant), but when our car was packed it would not have contained a mosquito, let alone a Boy, and as a matter of fact we rather enjoyed doing our own cooking and camping chores; but we were a complete mystery to the various villages where we stayed. White people. No Boy. Odd. But whether we lost or gained face by this strange behaviour I never knew.”

Despite their rocky marriage, Negley’s tribute to his wife’s intrepid spirit can be found in the dedication page of his book Behind God’s Back (1944). He wrote, “To my wife – my sole companion on the drive from coast-to-coast across Africa; she was better than any man.” For further glimpses into the life of Eve Farson, see her manuscripts and diaries in the Negley Farson papers at the American Heritage Center.

Post contributed by AHC Writer Kathryn Billington.

Posted in Authors, Biography and profiles, Explorers, Uncategorized, Women Adventurers, women's history | Tagged , , , , , , , , , , , | 1 Comment

Independence Day in the Cowboy State: A Look at Wyoming’s Traditions

Happy Independence Day!

Watercolor dated 1869 captioned “Capitol, Washington From the Steamer on the Potomac.” From the works of artist Thomas Kennet-Were housed at the American Heritage Center. Kennet-Were, an English gentleman and artist, documented his extensive 26,000-mile journey across the United States in 1868-69 through watercolors and diary entries

248 years of independence, and Wyoming’s been celebrating in style. From fur traders to rodeo riders, here’s how our state has marked America’s birthday. We’re highlighting a few of Wyoming’s Fourth of July traditions and featuring some festive images from our collections.

The first Independence Day celebration in Wyoming occurred July 4, 1830, when fur trader William L. Sublette and eighty-one other men paused on a trip to Wind River to celebrate the holiday at a unique rock feature along the Sweetwater River. They christened the rock, “Independence Rock,” in honor of the day, and “having kept the 4th of July in due style,” Sublette and his men continued towards Wind River. This event marked the first celebration of America’s birthday in the area, and highlighted the spirit of independence and exploration that characterized the era. The landmark, Independence Rock, went on to become a famous landmark of the Oregon Trail.

Independence Rock in 1924, almost 100 years after Sublette’s celebration. Grace Raymond Hebard papers, Collection No. 400008.

Following Sublette’s pioneering celebration, Wyoming – as both a territory and a state – developed its own traditions for marking the patriotic holiday with its various towns hosting several celebrations on both the day and over the week to celebrate. For example, Sheridan’s early Fourth of July celebrations included parades, races, baseball games, and community picnics. In 1890, the Fourth was marked by a large procession, a community baseball game, and a dance that evening.

Laramie celebrated too, as seen in this 1928 photograph. The sight of a worker fixing a pothole suggests that road maintenance is also nothing new in town! Ludwig & Svenson Studio Photographs, Collection No. 167.

Other towns like Lander and Cody weren’t to be left out. In Lander, the Fourth of July is the biggest holiday of the year. The town is known for its expansive firework displays, parades, high school reunions, and a buffalo barbecue. Lander also hosts the oldest paid rodeo in the world around this time of year, adding to the unique air of the festivities.

Cody, similarly, hosts the Cody Stampede – a five-day event that boasts a craft fair, kids’ parades, musical performances and a rodeo. The celebration has been a Cody tradition for almost one hundred years and draws both visitors and community members to the celebration.

The state’s Fourth of July celebrations reflect the nature of both Wyoming and the West. They show a love of fireworks, a celebration of deeply rooted Western tradition, and a fostering of community spirit.

Wyoming Secretary of State Thrya Thomson outside the festooned state capitol. Thyra Thomson papers, Collection No. 9149.

Post contributed by AHC Processing Archivist Brittany Heye.

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Designing the University of Wyoming: The Aven Nelson Building

Continuing our series on the University of Wyoming’s building history, we’re here to share the tales behind some of UW’s treasured structures. The Aven Nelson Building, the fifth-oldest existing building on campus, is significant today as a hub for botany research but also because it originally housed UW’s library.

Grace Raymond Hebard, who plays a part in so many UW tales, also has a role here. When she arrived on campus in 1891, the institution consisted of one building—the “University Building” (now Old Main). With excitement, she made it her first mission to find the library. A custodian led her to Room #17 and “with a grand gesture,” he exclaimed, “This is the Library!”

Hebard was nonplussed, noting, “[It was] a room without table, chair, desk, shelves, book-case, blackboard, curtain, only three sacks of Government books piled in a pyramid in the center of the floor!” In another room she found “an unusual collection of rare, old books” that had been given to the university by a descendant of the American statesman Henry Clay. This was the sum total of UW’s library five years after its founding in 1886.

When Grace Raymond Hebard (shown here) arrived at UW in 1891, the University Building (later Old Main) was the university. Photo File: Hebard, Grace Raymond, American Heritage Center, University of Wyoming.

Hebard was a force of nature who took on the unofficial role of librarian in 1894, working without pay while also serving as secretary of the Board of Trustees and taking on other administrative and teaching roles at the university. She established a rudimentary library cataloging system in that tiny, locked room, which was never meant as a library space.

By 1908, she was recognized as the official librarian and navigated the library’s growth within Old Main, relocating it room by room. When she left the librarian position in 1919, UW had more than 40,000 catalogued volumes.

Despite this growth, the long-awaited realization of a purpose-built library building remained elusive, as highlighted in Hebard’s own reflections at the building’s dedication:

Yet with this increase there was a constant need for a real, just a real library. Each year the Librarian had been promised a new building. Periodically the pleas to postpone the Library building were made to the Librarian. ‘Would she be patient if the Mechanical Building were first erected?’ She would. ‘Would she then wait until the Science Hall was constructed?’ She agreed. ‘Then Merica (Women’s) Hall?’ She assented. ‘The Gymnasium must come next.’ She approved. ‘The Agricultural Building was an imperative need.’ She concurred. ‘Hoyt Hall (women’s dormitory) simply had to be built.’ She acquiesced. ‘Buildings on the Farms must be constructed.’ She did not demur. ‘A Music Hall was needed.’ She agreed. ‘Were not a Rural School Building and a Greenhouse necessities?’ She raised no objections. ‘Would she once more wait?’ She reluctantly nodded an affirmative, for surely the time had now arrived for the construction of a long deferred library building, but no, the Power Plant must be built and this seemed reasonable, and at last like a long deferred and eagerly expected Christmas the next building was really and truly to be this noble edifice, which is dedicated this afternoon. Santa Claus has actually arrived!

Dr. Grace Raymond Hebard (center) ingeniously managed spaces within Old Main to house the library for numerous years. This photo, circa 1910, shows her in the library space alongside her close friend and fellow faculty member, Dr. Agnes Wergeland (left), accompanied by student assistant Agnes Wright Spring. Image ah001568, Photo File: Hebard, Grace Raymond, American Heritage Center, University of Wyoming.

At last, the university’s leaders had recognized the need for a proper, permanent home for its library. And had the funds to do make it a reality. In the 1920s, most Western states lacked funds for building projects. But UW’s new library benefitted from financial foresight of F.O. Sawin, an often overlooked figure at the university. Sawin, hired in the 1880s to select the university’s “land grant” lands, arrived in Wyoming from Kansas in 1872. He was the son of UW’s first mathematics professor. Appointed by Hoyt and Governor F.E. Warren in 1886, Sawin’s selections included mineral-rich lands like the Big Muddy Oilfield near Glenrock. The discovery of the “University Well” in 1916 brought substantial royalties to UW, funding the construction of the library building and the Half Acre Gym (a future story!).

The new library building as seen from Old Main, ca. 1925. Image ah302566, Ludwig & Svenson Studio Photographs, Coll. No. 167, American Heritage Center, University of Wyoming.

The resulting library, designed by Wilbur Hitchcock, received acclaim for its beauty. When it was complete, UW historian Wilson Clough reported:

To alumni and faculty, as they gazed about the light, spacious quarters, scientifically ventilated and accessible, a dream seemed to have come true. With a home and a trained staff, the library moved into its true place as the center of University life.

The building also provided accommodations for academic departments needing permanent space. For instance, the top floor east was the first home of the UW College of Law, which had been formed in 1920. 

Staircase filled with natural light in the library building, 1936. Image ah302643, Ludwig & Svenson Studio Photographs, Coll. No. 167, American Heritage Center, University of Wyoming.
Books catalogued and organized in their dedicated space, 1936. Image ah302642, Ludwig & Svenson Studio Photographs, Coll. No. 167, American Heritage Center, University of Wyoming.
Room for students to study and conduct research. Not too comfortable for sleeping though. Image ah302645, Ludwig & Svenson Studio Photographs, Coll. No. 167, American Heritage Center, University of Wyoming.

Hebard’s speech clearly demonstrates the instrumental role she played in nurturing UW’s library from its humble origins to an expansive, catalogued collection of 40,000 volumes. Yet, in celebrating the new building, Hebard made sure in her speech to share credit with the university presidents, trustees, state leaders, and donors who supported its construction. But special praise was reserved for key ally Dr. Aven Nelson, who served as university president and advocated tirelessly for a proper library space.

Aven Nelson (middle, standing) and Grace Raymond Hebard with fellow members of the UW Experiment Station Council in 1892. Image ah003469, Photo File: Colleges and Universities – UW – Agricultural Experiment Station – University Faculty, American Heritage Center, University of Wyoming.

Nelson, a renowned botanist specializing in Rocky Mountain plants, held several significant roles at UW. Initially hired as an English professor, a staffing error led him to become a biology professor and librarian, teaching a diverse array of subjects. It wasn’t until the establishment of agriculture and horticulture programs in 1891 that Nelson discovered his passion, ultimately becoming revered as “The Botanist,” known for his expertise in botany and horticulture.

Aven Nelson in a tent in Yellowstone National Park with books displaying plant specimens, 1899. His favorite activity was fieldwork. Image ah002200, Box 17, Aven Nelson Papers, Coll. No. 400013, American Heritage Center, University of Wyoming.

When Coe Library on campus opened in 1957, an opportunity came to reinvent UW’s former library for new uses. The building underwent major renovation and, in 1959-1960, the Department of Botany and the Rocky Mountain Herbarium, which occupies the entire third floor, were moved into what is now the Aven Nelson Building. The building now also houses the U.S. Forest Service National Herbarium, the W.G. Solheim Mycological Herbarium, and the Louis O. and Terua P. Williams Conservatory, which is home to more than 600 tropical, neotropical, temperate and arid species from around the world. A fitting tribute for the iconic Nelson.

Nelson spent much time and energy building the Rocky Mountain Herbarium. Basically an archive of plants, it is now housed in the Aven Nelson Building. Photo by Lori Van Pelt for her article “Aven Nelson, Botanist and President of the University of Wyoming” in WyoHistory.org.

The Aven Nelson building is one of a few structures on campus on the National Register of Historic Places. Because of that it cannot be modified on the exterior to change its original appearance. When upgrades were needed in the 2000s, such as replacing the aluminum-framed windows from the late 1950s, these modifications necessitated installing wood-framed windows to maintain fidelity to the building’s initial design.

Aven Nelson Building, 2022. Photo by Theoren Sheppard, AHC Photography Lab Supervisor.

Despite the admonition never to change any aspect of the exterior, one piece of the building regularly receives alterations. A cornerstone is etched with a quote from Francis Bacon that reads, “Reading maketh a full man.” Defacements over the years have suggested another statement. Join us for the next chapter in our exploration of UW’s architectural history as we learn of the life and work of Wilbur Hitchcock, a talented homegrown architect. Discover his legacy, which includes the Aven Nelson Building and various other structures that grace UW and the wider Wyoming landscape.

Also, be sure to check out the AHC’s virtual exhibit “Keeping History Alive: 136 Years of Progress” to see a combination of historic photos from the Center’s collections with photos of campus taken in 2022. You’ll see how the campus has changed and stayed the same over time. For additional perspectives on campus development and architecture, explore our exhibit “University of Wyoming: A Brief History of Campus.”

Posted in Campus Heritage, Historic Buildings, Uncategorized, University Libraries, University of Wyoming history | Tagged , , , , , , , , , , , , | Leave a comment

Senator Lester Hunt: Life, Legacy, and 70th Anniversary Commemoration

Lester C. Hunt, a U.S. Senator from Wyoming, tragically took his own life on June 19, 1954, at his office in the Senate Office Building in Washington, D.C. This year marks the 70th anniversary of this somber event that left a profound impact on Wyoming and the nation.

Portrait of Lester Hunt. Photo file: Hunt, Lester. American Heritage Center, University of Wyoming.

Hunt’s Early Years

Lester Hunt was born in Isabel, Illinois, in 1892. His journey to Wyoming began in an unlikely place – a baseball diamond. His pitching skills led to his recruitment in 1911 for Lander’s baseball team.

He put down roots there, becoming a respected dentist in 1917 and started a family with wife Nathelle. They had Elise and Lester Jr., known as Buddy. By 1934, long hours spent by the dental chair were no longer possible due to pain from donating bone grafts from his shin to treat Buddy’s bone cysts. But little did Lester Hunt know that this health setback would lead to life on the state and then national political stage.

Holiday card found in a scrapbook in Lester Hunt’s papers featuring photos of himself, Buddy, Elise, and Nathelle. The card is from his time as Wyoming governor. Box 47, Lester C. Hunt papers, Coll. No. 270, American Heritage Center, University of Wyoming.

Hunt went on to dedicate himself to public service, working as a Democrat in the state legislature and then as Wyoming Secretary of State from 1935 to 1943. The well-known bucking horse and rider on the Wyoming license plate was commissioned by Hunt while serving in the position and has been in use since 1936.

Governor and U.S. Senator

Next, he served as two-term Governor from 1943 to 1949. His mettle was tested as faced Republican opposition in the Wyoming House and Senate. He worked on issues like implementing the Selective Service Act, closing the Heart Mountain Japanese American internment camp, and battling for teacher and state worker retirement benefits.

Photo from a scrapbook in Hunt’s papers from his gubernatorial campaign for governor. Box 47, Lester C. Hunt papers, Coll. No. 270, American Heritage Center, University of Wyoming.

Hunt’s popularity grew, and he was elected to the U.S. Senate in 1948 as a liberal Democrat in a traditionally Republican state. The 56-year-old governor resigned his office and left for Washington, D.C., joining the distinguished Class of 1948, which included notable senators such as Estes Kefauver of Tennessee, Paul Douglas of Illinois, Hubert Humphrey of Minnesota, Lyndon Johnson of Texas, and Robert Kerr of Oklahoma.

From 1950 to 1951, Hunt served under Kefauver on a special Senate committee investigating organized crime, which became the first televised sensation in the country. Impressed by his colleague’s performance, Kefauver asked Hunt to be his vice presidential running mate should he secure the 1952 Democratic nomination.

Clashing with McCarthy and a Family Crisis

Despite his success, Hunt found himself at odds with another rising star, Senator Joseph McCarthy. The two took an immediate dislike to each other. When Hunt arrived in the Senate in 1949, McCarthy was on the cusp of his aggressive anti-Communism campaign. Hunt became so disgusted with McCarthy that he called him “a liar” and “a drunk,” an opinion shared by other senators, but few dared say it. Hunt went on to introduce legislation allowing private citizens to sue members of Congress who libeled them, which was a direct attack on McCarthy.

Their conflict came to a head in June 1953 when a Hunt family crisis collided with the ruthless world of politics. 24-year-old Buddy, a student and student body president at the Episcopal Theological School, was arrested for soliciting a male undercover police officer in Washington, D.C. Initially, the charges were dropped, but two McCarthy allies, Senators Styles Bridges and Herman Welker, saw Buddy’s arrest as an opportunity to gain leverage over Hunt. They pressured District of Columbia prosecutors to bring Buddy to trial, where he was ultimately convicted and fined.

McCarthy with his wife, Styles Bridges of New Hampshire, and Herman Welker of Idaho with his wife. Photo from New Hampshire Archives and Records Management.

Senator Hunt, a devoted father, sat beside his son in court and paid the $100 fine. However, the ordeal was far from over. With the Senate almost evenly divided and the 1954 elections looming, Bridges and Welker resorted to ruthless political blackmail. They threatened to flood Wyoming with pamphlets detailing Buddy’s arrest unless Hunt withdrew from his expected reelection campaign and retired from the Senate. News of Buddy’s arrest had been suppressed in Wyoming by Democratic National Committeeman Tracy McCracken, who published several newspapers in the state. This made the threats of exposure by Bridges and Welker particularly potent.

A Tragic End and an Enduring Legacy

Hunt found himself in a heart-wrenching dilemma, torn between his love for his son and his family’s privacy and his commitment to serving his constituents. His correspondence at the AHC reveals the struggle he faced over the next year as he contemplated his situation. His letters show alternating moods of optimism about McCarthy’s declining popularity and his own chances for reelection, dismay over declining health, and, ultimately, resignation when he felt that he could not continue as a senator. For example, on May 25, 1954, he wrote a friend about encouraging poll numbers for his reelection. But less than two weeks later, he announced he wouldn’t run again.

What transpired during this period that led to the drastic choice of suicide on June 19, 1954? Hunt’s letters seem to indicate health was a problem. However, according to Rodger McDaniel’s book Dying for Joe McCarthy’s Sins, which draws on research conducted at AHC, Hunt’s top aide claimed there were no health issues. McDaniel notes that the day before the suicide, McCarthy had renewed his threats. In the end, it was all too much to bear. Although a muckraker, national political columnist Drew Pearson wrote just days after the suicide what was most likely the truth. He suggested that Lester Hunt was a sensitive soul who could not bear having his son’s misfortunes whispered about during his re-election campaign.

Senator Hunt’s coffin lying in state in the rotunda of the Wyoming State Capitol. Photo from Brammar Collection, Wyoming State Archives.

The circumstances surrounding Senator Hunt’s death sparked public outrage and contributed to the growing backlash against McCarthy’s tactics. Pearson published details of the Republican Senators’ threats against Hunt, shedding light on the tactics that marked the McCarthy era. Hunt’s tragic end underscored the devastating consequences of such tactics and highlighted the need for greater understanding and support for mental health issues, particularly among public figures who face immense pressure and scrutiny.

In the aftermath of Hunt’s suicide, McCarthy was eventually censured by his Senate colleagues and descended into alcoholism, becoming a pariah without influence. He died on May 2, 1957, from complications related to his alcoholism. Senator Welker was defeated for reelection in 1956, with his behavior becoming increasingly erratic during the campaign. He died from a brain tumor not long after McCarthy in October 1957. As for Senator Bridges he remained an influential legislator for the next few years but died in 1961, just after being reelected in 1960.

In Wyoming, Republicans failed to win Hunt’s seat in the U.S. Senate in 1954. William Henry Harrison, the GOP candidate and great-great-grandson of President William Henry Harrison, was upset by Hunt’s great friend Joseph O’Mahoney, who made a Senate comeback.

Senator Hunt’s legacy has been remembered in various ways, including through Allen Drury’s 1959 Pulitzer Prize-winning novel, Advise and Consent, and Thomas Mallon’s 2007 novel Fellow Travelers, both of which drew inspiration from the events surrounding Hunt’s tragic death.

More recently, Rodger McDaniel, a Presbyterian pastor, former Wyoming legislator, and Democratic candidate for the U.S. Senate in 1982, published a comprehensive study of Hunt’s death titled Dying for Joe McCarthy’s Sins: The Suicide of Wyoming Senator Lester Hunt (2013). Utilizing the Hunt papers and the research of University of Wyoming historian T.A. Larson, both housed at the AHC, McDaniel’s book sheds new light on the tragic events surrounding Hunt’s death and the impact of McCarthy’s tactics on American politics.

To learn more about Senator Hunt’s life, legacy, and commemorative events marking the 70th anniversary of his death, please visit the dedicated website at https://www.lesterhunt.org/. The site offers a wealth of information, resources, and updates on upcoming events honoring the memory of this remarkable public servant.

If you or someone you know is struggling with suicidal thoughts or emotional distress, please know that help is available. The 988 Suicide and Crisis Lifeline is a national network of local crisis centers that provides free and confidential emotional support 24 hours a day, 7 days a week. You can call or text 988 or chat at 988lifeline.org to connect with a trained crisis counselor who can offer support and resources.

Post contributed by Leslie Waggener, Archivist for the AHC’s Alan K. Simpson Institute for Western Politics and Leadership.

Posted in Biography and profiles, Political history, U.S. Senate, Uncategorized, Wyoming history | Tagged , , , , , , , , , , , , , , , , , , | Leave a comment

Parallel Universes: Alternate Histories of Beloved Sci-Fi Franchises

Every writer and every producer can tell you that for every successful idea, a hundred more ended up lying in a wastepaper basket somewhere or scooped up into a folder to use later, only to languish, forgotten by all.

While every movie and television have a process of becoming what they are, the focus of this article will be materials from papers of Gene L. Coon and of George Pal, which are housed at the American Heritage Center. Both were men who worked in Hollywood in the early to mid-20th century, and their collections contain scripts, director notes and other sundries involved with the magic of bringing vision to life.

Coon was a prolific screenwriter and is often known as “The Other Gene” by Star Trek fans, being known as the man who invented the Klingons and other mainstays of the franchise. George Pal was a producer and director who invented Puppetoons – a specific type of stop-motion. He was a prolific producer of science fiction and fantasy films in the 1950s and 1960s, including a long attempt at adapting the sci-fi dystopia novel Logan’s Run that he eventually left for another project. Both collections reveal how the magic of Hollywood involves hard work, frustration, and a bit of luck.

According to David Gerrold in his book The Trouble with Tribbles, which serves as both a memoir about the famous Star Trek episode of the same name and a guidebook on how to write scripts, Star Trek, being a high-profile show, received about 6,000 script submissions per year. However, out of those numerous submissions, the show would purchase a maximum of 30 scripts. So, most of the proposed storylines never saw the light of day. Sometimes it was because the scripts were poorly written, out of tone with the series or characters. Other times it was just a simple numbers game that an otherwise good script was set aside for an excellent one. Gerrold was one of the lucky few considering that, at the time, he was not a professional screenwriter but a fan who submitted a funny little script about a bunch of adorable critters that ate voraciously and were born pregnant.

A tribble, one of the hundreds of tribble props from their debut episode “The Trouble with Tribbles,” stored in the special collections safe of the AHC.

American TV shows often have Writer’s Rooms, where scriptwriters and producers collaborate to ensure continuity, discuss casting, plan scene production, and manage episode budgets. Below are excerpts from supplementary pages for Star Trek outlining the format of a script and guidelines on how to write an episode for the series.

In the list of rules and advice provided to the writers, several key points were emphasized. First, writers were cautioned against having characters behave illogically solely for the purpose of advancing the plot. Second, they were instructed to prioritize the development of the crew over the showcasing of science fiction technology and wonders. Additionally, even minor details were addressed, such as reminding writers to indicate when a change in set or a specific type of prop would be necessary, to assist the set designers and prop masters in their preparations.

While Star Trek may look primitive and hokey by today’s standards, the original series was mid-high budget for the era – running between $170,000-$200,000 per episode (equivalent to 1.59-1.87 million in today’s dollars), so the production team wanted to avoid having to do retakes due to miscommunication.

Scripts for established shows can run through editing passes, despite the pressures of having a new episode every week, and a frequent practice was to film episodes back-to-back to avoid missing airtime; even in this demanding environment, editing and rewriting scripts are still part of the process. Sometimes, it is minor, such as replacing a line to enhance the flow or to clarify a point; occasionally, the modifications are more significant. For instance, if a real-life tragedy were to occur, a chosen script could be considered in exceedingly poor taste if aired unaltered without allowing a considerable amount of time to pass.

Another common reason for a script change is if an actor is unavailable due to illness or other obligations, which, depending on the prominence of the character, can range from simply inserting a line explaining why the character is not present to completely rewriting the plot. First drafts can often indicate a writer’s first instinct or the original trajectory of a plotline or character. Just as plans do not survive first contact with the enemy, to paraphrase an old war aphorism, no concept remains unchanged regarding filming.

Pages 1 and 2 from the “Finalized STAR TREK Running Characters” synopsis, detailing the cast and characterization for both actors and writers. Box 26, Gene L. Coon papers, Coll. No. 6650.

Long-time fans of the original Star Trek series may notice multiple differences between character concepts and what aired on television. Yeoman Janice Rand, portrayed by actress Grace Lee Whitney, was initially intended to be a major supporting character in the series. Nonetheless, midway through the first season, Whitney was released from the show due to personal issues. As a result, the character of Yeoman Rand vanished from the series without any explanation or further mention.

Another striking difference is in Dr. Leonard McCoy’s presentation – his overall character as the sharp-tongued doctor remained, but the idea of him being a maverick who often didn’t wear his  uniform was dropped in the show’s final version. This was probably done to save the costumers from having to create futuristic casual menswear and to make it easier to recycle footage, if necessary. Writers were always reminded to keep the budget in mind.

One of Sulu’s alien plants is written as a semi-intelligent being that is affectionate towards Yeoman Rand and semi-ambulatory. That scenario was left on the cutting room floor by the writers who perhaps realized this might not be a good gag.

Logan’s Run production notes with tabs for every major aspect of filmmaking: Story, Cast, Budget, Publicity & Exploitation, and Dir.-Music-Notes. Box 4, George Pal papers, Coll. No. 8030.

Scripting is only one part of the job. Set design, costuming, gathering a film crew, casting, location scouting, setting a filming schedule, and fighting with executives over the budget makes up the rest of the process. In the papers of George Pal, we can see the reams of paperwork and notes from Pal and associates regarding his doomed attempt at adapting Logan’s Run, starting in 1969 and lasting until he left the project in the early 1970s.

Among the collections are minutes of production meetings and lists of directors with notes on their directorial styles and availability. Other tidbits are also included, revealing the influence of internal studio politics on the details of a project. For instance, one man was dismissed because he “Does fine work but spends $ like a drunken sailor,” while another was dismissed because “Ramsey no longer likes him since the last Presley picture.” In this case, Ramsey refers to G. Clark Ramsey, who was the Vice President of MGM’s productions at the time. If a director had fallen out of favor, Pal deemed it wise not to consider them. Roman Polanski had been approached for Logan’s Run project, but he turned it down. Pal raved about Guy Green (A Patch of Blue) but was turned down for “Not being his kind of script.” John Boorman (Point Blank) has “Not avail., THANK GOD.”

Contact copy of the storyboard for Logan’s Run depicting the Carrousel that kills everyone age 30 under the guise of being “Reborn.” George Pal had planned to reduce the age to 21 in his production. Box 4, George Pal papers, Coll. No. 8030.

The evolution of scripts can result in the finished product resembling nothing like the original pitch or with one person’s ideas completely subsumed by another’s. Genesis II – produced and co-written by Gene Roddenberry – is an interesting case. The product that aired in 1973 is a different beast from the original story treatment written by Gene L. Coon. NASA scientist Dylan Hunt (not to be confused with the protagonist in Andromeda) – the modern man thrown into the post-apocalyptic future with an H.G. Welles-que conflict between pacifistic humans and tyrannical mutants – existed nowhere in Coon’s story treatment.

Gene L. Coon’s initial pitch for the show featured a cast of fifteen survivors from a 400-person expedition group. These survivors were attempting to survive with limited supplies while trying to solve a mystery stemming from remnants of a long-gone civilization. Although beholden to the requirement that every female crew member must be young and pretty, and despite some dodgy names for non-Anglo characters, this cast of fifteen was surprisingly diverse for 1960s-1970s television. Half the cast were people of color, and about half of them were women. But it still suffered from the fact that the black man was the first casualty among the crew, and every single woman was described as either “pretty” or “beautiful.”

The slug-like Durgas seem to have become the two-navel Tyranians, for budget reasons or believability in costuming/puppetry. One can only imagine the pitch session between the two Genes that resulted in a wildly different final product. Coon’s death prior to the premiere of the TV movie likely prevented the idea of adapting his concept of Genesis II. Roddenberry’s version did successfully premiere as a TV movie but failed to turn into a series as he had envisioned.

The archives at the AHC present us with an oft-unseen aspect of filmmaking. These records provide tantalizing glimpses of what could have been, showcasing the hard work that went into the projects that ultimately came to fruition, as well as those that never materialized. The AHC holds hold many television and film scripts that lay largely forgotten in folders, like George Pal’s version of Logan’s Run and Gene L. Coon’s plans for Genesis II. Even though these projects didn’t end up happening, the scripts and papers provide an interesting look at how the creative process works behind the scenes. They are tangible, curious examples of the “what could have been” ideas that were left on the proverbial cutting room floor.

Post contributed by AHC intern Brittany Pope.

Posted in Adaptations, Entertainment history, Film History, science fiction, television history, Uncategorized | Tagged , , , , , , | Leave a comment

From Nigeria to the US: An LGBTQ+ Perspective

Stepping onto American soil for the first time, I carried with me the weight of a culture where discussions about homosexuality were often shrouded in silence and stigma. It was both thrilling and intimidating for me as a Nigerian student who had just moved to the US to try to balance my identity with American culture.

Nigeria, a country with strong religious beliefs, strongly opposes homosexuality, viewing it as a Western corruption. This is demonstrated by the 2014 passage of the Same-Sex Marriage (Prohibition) Act, which imposes harsh penalties for both homosexual relationships and any kind of public expression of same-sex affection or LGBTQ+ affiliation. Anyway, such discriminatory laws are not unique to Nigeria, as many African nations still criminalize gay sex, albeit with varying degrees of severity.

I first became really immersed in LGBTQ+ narratives at the American Heritage Center, where I found comfort in the stories preserved in its archives. I was particularly drawn to Bennett Hammer’s extensive collection of newspaper articles from the middle of the 20th century that detailed how society in America viewed queerness.

Hammer, an educator and LGBTQ+ advocate from Albuquerque, New Mexico, collected gay-related articles from 1970 to 2009, creating the “Hammer Archives.” This collection, sourced from local and national papers, preserved the dominant discourse on LGBTQ+ issues during the civil rights movement and was used by various stakeholders for advocacy, research, and education.

As I read through the articles, I couldn’t help but notice the startling similarities between Hammer’s account of LGBTQ+ hardships in America and my own country. The enactment of harsh laws aimed at the queer community, the pervasiveness of violence and prejudice, and the valiant efforts of human rights advocates struck a deep chord with my own experiences from my native country.

From box, 1, folder 15 of the Bennett Hammer LGBT Clippings Collection, Coll. No. 12716.

A key period in LGBTQ+ history, the years 1963 to 1975 saw a rise in activism and a period of thunderous silence that culminated in historic events such as the Stonewall Riots of 1969. Looking through the Hammer clippings collection during this period, kept at AHC, provided me with all the information needed to understand the beginnings of LGBTQ+ advocacy during this revolutionary period. The hardships and victories of those who dared to question social conventions are powerfully shown in these archives, opening the door for a more inclusive future.

Famous incidents such as the Stonewall Riots are iconic moments in the history of the LGBTQ+ community, spurring a movement for change and assisting in the establishment of organizations devoted to this cause. Through historic demonstrations and grassroots movements, people publicly advocated for equality and challenged prejudice. The collection offers a diverse assortment of stories and artifacts that provide light on the complex nature of LGBTQ+ activism at the time.

From box, 1, folder 15, Bennett Hamer LGBT Clippings Collection, Coll. No. 12716.

Upon examining the advancements achieved during the 1960’s–1990’s period, it is apparent that the struggle for LGBTQ+ equality remains unfinished. Even with great progress, there are still issues that need to be raised and pushed upon. Researchers can respect the heritage of prior activists and empower themselves to advocate for a more just and inclusive society by using resources such as the Hammer clippings. We can only successfully navigate the present and work toward a future where everyone is accepted and cherished for who they are by having a thorough understanding of the past.

Upon reading about the difficulties faced by LGBTQ+ individuals documented in the collection, my mind went back to the LGBTQ+ people in Nigeria, including arbitrary arrest, harassment, and physical violence. I couldn’t help but feel a connection to the people whose experiences were shared by others in different countries. I was deeply moved by the recent resolutions passed by the African Commission, which demanded that African governments guarantee LGBTQ+ people’s access to HIV services and put an end to violence based on sexual orientation and gender identity. This provides a glimmer of hope for LGBTQ+ persons in an otherwise unfriendly environment.

Source: “African Commission Adopts Landmark Resolution on LGBT Rights.”

In the end, I am often reminded of the ability of narrative to unite people and spark change as I negotiate the challenges of being LGBTQ+ in a society that still struggles with acceptance and understanding. Hammer’s collection is a proof of the queer communities’ ongoing tenacity and a reminder that fights for justice and equality are universal and transcend national boundaries.

Ultimately, my experience at the AHC is a voyage of self-awareness, camaraderie, and hope, more than it is a scientific expedition. And as I keep navigating the nexus between identity and belonging, I’m appreciative of the chance to understand the experience of these group of people and struggle to make the world a more compassionate and inclusive place.

To explore more of these powerful stories, visit the AHC’s Virmuze exhibit “A Different Kind of Spotlight: How the Media has Portrayed Queerness Throughout the Decades.” This exhibit showcases materials from the same Bennett Hammer collection that provided comfort and connection during my research. Through newspaper clippings, editorials, and comics from the 1980s and 90s, you can witness firsthand how media coverage evolved from fear and controversy to greater understanding and acceptance—a journey that mirrors struggles for LGBTQ+ equality worldwide.

Post contributed by AHC Graduate Assistant Samson Olaoye, a student in the University of Wyoming’s American Studies program.

Posted in activism, Cultural Identities, LGBTQ+ rights, Personal Narratives, Uncategorized | Tagged , , , , , , | Leave a comment

Designing the University of Wyoming: Hoyt Hall

Join us for another installment in our series on the University of Wyoming’s building history. These posts offer glimpses into the stories behind UW’s well-known buildings. Today we spotlight Hoyt Hall.

Dr. Tony Denzer, UW Professor of Architectural Engineering, remarked in 2015,Hoyt grabbed me instantly, and all these years later I still believe it is the most interesting building on campus… Why do I love it? Hoyt Hall is simply a beautiful architectural composition. Dubois designed the façade with a wonderfully complex and balanced rhythm. The vertical divisions and subdivisions are endlessly fascinating to study, in the same way English majors might analyze a poem by Keats.”

Color postcard of Hoyt Hall, ca. 1945. Photo File: Colleges and Universities – UW – Aerial and General Views, American Heritage Center, University of Wyoming.

Hoyt Hall was the second dormitory constructed on campus. On December 12, 1913, UW President Clyde Duniway presented a campus plan to the trustees that included a new women’s dormitory. The trustees passed a resolution “to ask the next session of the legislature for an additional building for women to be used as a Dormitory and for Home Economics.” Dean of Women, Emma Howell Knight, attended a legislative session in January 1915 to lobby for the dormitory.

The plan moved forward and on June 8, 1915, Cheyenne architect William Dubois presented plans to the trustees for the new dorm. In August, Archie Allison, a Cheyenne builder, was awarded the building contract. Construction began soon after and the building’s foundation was completed by mid-September. By March 1916, the building, with capacity to house about 40 students, was nearing completion. Like Merica Hall, Hoyt Hall would be completed in multiple phases.

On June 6, 1916, the trustees, in an ironic turn of events, named the building to honor the university’s first president, Dr. John Wesley Hoyt. Born in Ohio in 1831, Hoyt graduated from Ohio Wesleyan University in 1849 and later received his medical degree from the Eclectic Medical Institute in Ohio in 1853. He played a pivotal role at UW, serving as one of its initial board of trustees before becoming president. During his tenure, he expanded state funding, initiated land grants, and taught multiple courses, all while maintaining his position. Hoyt also served as a Wyoming territorial governor in 1886 and was elected to the State Constitutional Convention in 1889, where he drafted the wording for the Education Article, most of which still exists in the state’s present constitution.

Dr. John Wesley Hoyt (1831-1912), the University of Wyoming’s first president and the namesake for Hoyt Hall. Image ah002515, Photo File: Hoyt, John W., American Heritage Center, University of Wyoming.

However, the board of trustees dismissed him in 1890, citing him as “too visionary and impractical.” He left for Washington, D.C., where he pursued an unsuccessful endeavor to establish a national university before passing away in 1912, not long before the completion of his namesake building.

Hoyt Hall was ready for the summer school session on June 12, 1916. However, the students had no beds, as the shipment was still in transit via the railroad. The beds finally arrived and were assembled and in place by June 15.

A peaceful scene in Hoyt Hall, 1918. Image ah300035, Ludwig & Svenson Studio Photographs, Coll. No. 167, American Heritage Center, University of Wyoming.

At its November 12, 1920, meeting, the trustees began planning for the expansion of the dormitory. William Dubois also designed the addition. John Howard, a Cheyenne builder, was awarded the building contract on May 2, 1921. The original building consisted of the central portion. The expansion added wings to the existing structure. Construction began immediately, and the project was completed almost exactly a year later on May 1, 1922. It was available for graduation receptions, other year-end festivities, and summer school that began in early June.

Hoyt Hall was soon adapted to serve evolving needs. The next year, 1923, the building was adapted to provide needed office space for faculty in the English, Creative Writing, and Modern and Classical Languages departments. When UW hosted famed poet Robert Frost in spring 1939, his visit was hosted in Hoyt Hall in a room subsequently renamed the “Frost Library.”

The story is told that English professor Wilson O. Clough once delivered a lecture in Hoyt Hall from a ground floor room on a beautiful day. Taking advantage of the fine weather, Clough spoke while seated on the sill of an open window. Leaning back to emphasize a point, he lost his balance, tumbled backward out the window, landing on the grass a few feet below. Much to the astonishment of the class, without a beat, he promptly reappeared at the window and continued his lecture with a nonchalant, “As I was saying…”

Professor Wilson O. Clough, 1928. He joined the UW faculty in 1924 and served as the head of the English Department from 1946 to 1949. Image 303199, Ludwig & Svenson Studio Photographs, Coll. No. 167, American Heritage Center, University of Wyoming.
UW students in a parade float with Hoyt Hall in the background, 1940. Image ah002747, Box 3, S.H. Knight Collection, Coll. No. 142, American Heritage Center, University of Wyoming.

As new dormitories were being planned, the trustees approved the conversion of Hoyt Hall completely into office space at its August 3, 1962, meeting. Planning for the conversion began in the fall of 1964. In the spring of 1965, university officials determined the renovated hall would best be utilized by the departments of English, Modern Languages, and Philosophy, as well as International Studies and some College of Education offices. On October 15, 1965, the building contract was awarded to Spiegelberg Lumber and Building Company, of Laramie. When the project was completed, an open house to tour the remodeled building occurred on June 6, 1966.

Half a century later, in 2016, Hoyt Hall underwent another significant renovation to modernize the building and ensure its continued functionality. The $2.9 million project focused on addressing life-safety and accessibility requirements, enhancing interior finishes, and upgrading energy-efficient systems. The renovation included improvements to offices, classrooms, and study areas, as well as the installation of new lighting, electrical, and data systems. These changes have helped Hoyt Hall remain a vital part of the university’s academic facilities, serving the needs of students and faculty for more than a century.

Hoyt Hall, 2022. Photo by Theoren Sheppard, AHC Photography Lab Supervisor.

Stay tuned for the next chapter in our exploration of UW’s historical buildings, where we uncover the story behind the longtime battle to build UW’s first library as well as the beginnings of Aven Nelson’s iconic career at the University.

To gain further insight into UW’s architectural history, we invite you to explore the AHC’s virtual exhibit “Keeping History Alive: 136 Years of Progress.” This informative showcase blends historic UW campus images with modern-day photographs from 2022, offering an insight into the campus’s ever-evolving narrative and its timeless features. For additional perspectives on campus development and architecture, explore our exhibit “University of Wyoming: A Brief History of Campus.”

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James L. Ehernberger Wins Prestigious Senior Achievement Award!

On April 20, 2024, long-time friend, donor, and benefactor of the American Heritage Center and the University of Wyoming, James L. Ehernberger, was honored with the Railway & Locomotive Historical Society’s Gerald M. Best Senior Achievement Award for his more than 70 years as a dedicated railroad historian and celebrated author.

Jim Ehernberger’s archival collection at the AHC is one of the most comprehensive collections of railroad history, particularly the Union Pacific, ever assembled. It amasses over 1,100 boxes of material, including over 50,000 photographs, and more than 100,000 negatives either taken by or acquired by Jim over the many years of his collecting. And it’s still growing!

The massive collection is completely available to the public and is a frequently used and oft-quoted resource for railroad enthusiasts and historians from all over the country.

As one of the premier collections in its holdings, the American Heritage Center is proud to house this incredible legacy, and even prouder of its long association with Jim Ehernberger. 

The Center wishes to congratulate our good friend Jim Ehernberger on this richly deserved award, and we look forward to continuing our partnership with him to preserve railroad history for future generations.

Post contributed by AHC Assistant Director and Collections Manager William Hopkins.

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From the Archives to the Airwaves: Taylor Swift’s ‘Clara Bow’ and the AHC’s Scrapbook

Sometimes you find remarkably topical surprises in the archives, like the recent discovery of a scrapbook devoted to Clara Bow in the Samuel Anthony Peeples papers at the American Heritage Center, University of Wyoming. This treasure trove of newspaper clippings, magazine articles, and photographs documents Clara Bow’s life and career, from her early days as a rising star in the 1920s to her retirement from acting in the 1930s. The scrapbook provides a glimpse into the public’s fascination with Bow and the media’s role in shaping her image, while also raising intriguing questions about why Peeples, a writer and producer active in the 1960s and 70s, collected these materials.

Peeples is primarily known for his work in the Western genre and science fiction television, having written for series such as The Virginian, Lancer, and Star Trek. His association with these genres makes his interest in Clara Bow, a silent film star from the 1920s, all the more interesting.

There are several reasons why Peeples might have been drawn to create a scrapbook about Clara Bow. As a writer, he may have found inspiration in her life story and viewed elements of her personality as a basis for developing complex characters in his own work. Also, Bow’s experiences with fame and the challenges she faced could have resonated with Peeples as he navigated the entertainment industry. The scrapbook might have also been a way for Peeples to explore the history of Hollywood, pay tribute to a pioneering figure, or satisfy a personal connection or admiration for Bow.

Front cover of Picture-Play magazine, featuring Clara Bow, February 1927. Box 216, Samuel Anthony Peeples papers, Collection No. 7498, American Heritage Center, University of Wyoming.

While we may never know the full story behind the scrapbook, its presence in the archives has taken on new significance in light of recent events. In 2024, Clara Bow found herself back in the spotlight thanks to Taylor Swift’s song “Clara Bow” from the album The Tortured Poets Department. The song draws parallels between the lives and experiences of these two iconic figures from vastly different eras, both connected by the common thread of fame.

Let’s look at some of the lyrics from “Clara Bow” to understand Swift’s perspective and the echoes of Bow’s life within them. Swift starts by singing,

You look like Clara Bow in this light

Remarkable

All your life, did you know

You’d be picked like a rose

and continues in the song,

Take the glory, give everything.

Promise to be dazzling

You’re the new god we’re worshiping,

Promise to be … dazzling

Only when your girlish glow

Flickers just so

Do they let you know

It’s hell on earth to be heavenly

Swift’s lyrics capture the pressure to be “dazzling” and the sacrifices demanded of celebrity women. The phrase “It’s hell on earth to be heavenly” encapsulates the dark side of fame that both Bow and Swift have navigated.

In an interview with Variety.com, Swift discussed the inspiration behind “Clara Bow,” stating, “I used to sit in record labels trying to get a record deal when I was a little kid. And they’d say, ‘You know, you remind us of’ and then they’d name an artist, and then they’d kind of say something disparaging about her, ‘but you’re this, you’re so much better in this way or that way.’ And that’s how we teach women to see themselves, as like you could be the new replacement for this woman who’s done something great before you.”

Newspaper clippings featuring Clara Bow in a scene from Love Among the Millionaires. Box 216, Samuel Anthony Peeples papers, Collection No. 7498, American Heritage Center, University of Wyoming.

This idea of one celebrity being seen as a “replacement” for another is a recurring theme in the public’s perception of famous women. Bow, who rose from humble beginnings to become the quintessential flapper and silent film star of the 1920s, was often pitted against other actresses of her time. Similarly, Swift has been compared to and contrasted with her contemporaries throughout her career. These comparisons can be reductive, overshadowing the unique talents and contributions of each individual.

Newspaper clippings featuring Clara Bow’s then boyfriend, later husband, Rex Bell. Like Taylor Swift today, Bow’s personal life was a constant source of media and fan attention. Box 216, Samuel Anthony Peeples papers, Collection No. 7498, American Heritage Center, University of Wyoming.

The Clara Bow scrapbook in Samuel Anthony Peeples’ papers may remain a mystery, but it provides a tangible connection to Bow’s life and the era in which she lived, while Swift’s lyrics bring her story into the present day, inviting listeners to draw connections between the two women’s experiences. Together, these elements create a bridge between the past and the present, highlighting the timeless nature of the challenges faced by women in the public eye.

Post contributed by AHC Writer Kathryn Billington and AHC Archivist Leslie Waggener.

Posted in Celebrity Culture, Film History, music, Pop Culture Icons, popular culture, Uncategorized, Women in Hollywood, Women in Music | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Native American Day in Wyoming: Celebrating Nellie Scott

In 2004, the Wyoming State Legislature enacted House Bill HB0094, establishing the second Friday of May as Native American Day. This day is observed by public schools, state and local governments, and other organizations throughout Wyoming. This year, the American Heritage Center is honoring Nellie (Nell) F. Scott, the first woman to serve on the Arapaho Tribal Business Council.

Nell Scott, 1975. Box 1, Loretta Fowler papers, Coll. No. 11403. American Heritage Center, University of Wyoming.

Nell Scott joined the Tribal Business Council in 1935, becoming its first female member. She served for thirty-seven years, becoming president of the council by 1940.

During her presidency, Nell was instrumental in several important political dialogues. In May 1941, she traveled with the Arapaho and Shoshone Tribal Business Councils to Washington D.C. to participate in discussions with the Bureau of Indian Affairs. These discussions focused on issues such as, the Land Use Program, Grazing Permits, and a proposed division of the Wind River Reservation. The council planned their visit from April 30, for approximately a week to ten days, aiming to resolve various issues and to be heard on the reservation division proposal. During these conferences, Nell advocated for the Arapahos’ desire to establish a separate agency should the reservation be divided.

Nell’s advocacy in Washington continued beyond this trip. On March 15, 1947, she participated in hearings before the Subcommittee on Indian Affairs of the Committee on Public Lands. She testified regarding a bill to authorize the segregation and expenditure of trust funds jointly held by the Shoshone and Arapaho Tribes.

In her testimony, she highlighted the dire need for funds among the Arapaho, stating that the tribe’s population of 1,395 members faced severe hardships due to lack of funds, leading to starvation. She poignantly remarked:

We wonder who is starving the Indians. It is the Indian Office, or the Government itself that is starving the American Indian.

Nell also highlighted the irony faced by returning tribal soldiers who fought for freedom and democracy in World War II, only to find their families suffering at home. She strongly advocated for the immediate release of funds owed to the Arapaho to alleviate these dire conditions on the reservation.

Nell Scott (center) in at the U.S. Capitol, ca. 1955. She is shown with Wyoming’s U.S. Representative Keith Thomson. Identify not known of women on the right. Box 1, Loretta Fowler papers, Coll. No. 11403, American Heritage Center, University of Wyoming.

For 37 years, Nell was a fierce advocate for her tribe, taking multiple trips from Wyoming to Washington, DC, to lobby for legislation benefiting the Arapaho Tribe and addressing the challenging living conditions on the reservation. She also pushed for the separation of the Wind River Reservation between the Shoshone and Arapaho tribes, especially regarding federal funding.

The photo below, taken in 1935, commemorates Nell becoming the first woman to serve on the Tribal Business Council. She continued to serve the tribe in various capacities, including as president of the council, until her retirement in 1972.

Under pressure from the Indian Bureau, both tribes formed representative, elected business councils to conduct day-to-day operations and act as a link between federal policymakers and Indian people. Final sovereignty rested then and still remains, however, with the general councils—decision-making bodies of all tribal members—of both tribes. Here, the two councils, Arapaho in the back row, Shoshone in front, in the late 1930s. Nell Scott is first on the left in the back row. Charles Washakie is second from left in the front row. Box 3, Loretta Fowler papers, Coll. No. 11403, American Heritage Center, University of Wyoming. (Caption courtesy of WyoHistory.org)

Supporting Wyoming’s Indian Education for All

The story of Nellie Scott and other Native American leaders, along with the AHC’s extensive archival holdings and its K-5 Teaching Resources – Indigenous Tribes of Wyoming exhibit, serve as valuable resources for educators implementing Wyoming’s Indian Education for All mandate.

These primary source materials—including photographs, documents, manuscripts, and more related to Wyoming’s Northern Arapaho and Eastern Shoshone tribes—are available through digitized resources, online exhibits, and with assistance from Reference Department staff to help teachers educate students about the cultural heritage, history, and contributions of Wyoming’s tribal nations while supporting Wyoming Social Studies Standards.

For more information about the Center’s resources, contact the AHC’s Reference Department at ahcref@uwyo.edu.

Post contributed by Processing Archivist Brittany Heye.

Resources consulted:

“The Proposed Division of the Wind River Reservation,” Montana State University library, Collection #2204.

United States Congress, House Committee on Interior and Insular Affairs. Trust Funds, Shoshone, and Arapaho Indian Tribes: Hearings Before the Subcommittee on Indian Affairs of the Committee on Public Lands, House of Representatives, Eightieth Congress, First Session, on H.R. 1098, a Bill to Authorize the Segregation and Expenditure of Trust Funds Held in Joint Ownership by the Shoshone and Arapaho Tribes of the Wind River Reservation. 1947. U.S. Government Printing Office.

Posted in Advocacy and Activism, Arapaho, Tribal Leadership, Uncategorized, Wyoming history | Tagged , , , , , , , , | Leave a comment